Mar 282021
 

This episode we talk all manner of things mer . . . mermen, mermaids, merb’ys, and many more. People love conjuring up creatures that are half human in some way (especially half sexy human), and merfolk top the list. Whether they are helpful, innocent creatures or deceptive, bloodthirsty temptresses, mermaids have been cast in many tall tales. From ancient mythology to recent docufiction, we look at various representations in history and pop culture. What do you do if you find yourself facing the notorious blue men of the of the Minch in Scotland? Or a child-eating kappa in Japan?

We learn the surprising connection between Ariel and an unrequited bisexual love from the 19th century, and we look at “real” mermaids from “The Body Found” (Discovery Channel, 2011) to “the body gaffed” (P. T. Barnum, 1842).

 

Check it out HERE! 

Mar 252021
 

I often investigate claims about psychic detectives, and last year I researched claims made by psychics in the tragic case of a missing Ohio boy in late 2020. He went missing without a trace, and several psychics gave information about where he was; what did they say and how accurate was it?

My article is now online; you and read it HERE.

You can also hear about the case on Squaring the Strange! It’s in Part 2 HERE, but also check out Part 1, with Kenny Biddle and Celestia Ward, where they investigated other disappearances; it’s HERE. 

 

 

 

 

 

 

Mar 182021
 

A recent episode of Squaring the Strange is about CRANKS, and why they really grind our gears. Sit back for a little history of crankery, with emphasis on notable cranks from decades past–and even a few from right now! Check it out!

 

Feb 252021
 

For those who didn’t see it, in the recent episode of Squaring the Strange we talk with Bigfoot investigator Steve Kulls, who shares with us his tenets of research and then discusses his role in uncovering the Georgia Bigfoot body hoax of 2008–a tale involving a whole cast of characters involved in secrecy, corruption, and avoiding the FBI. Check it out HERE!

 

 

Feb 182021
 

The new documentary Feels Good Mandirected by Arthur Jones, tells the strange story of how an otherwise obscure and innocuous frog cartoon character became a symbol of hate. The frog in question is named Pepe, created by an unassuming, otherwise unknown and (at times frustratingly) low-key San Francisco artist named Matt Furie.  

 

What happened to Pepe is a deceptively complex question, and really understanding it requires some knowledge of media literacy, critical thinking, folklore, social media, memes, popular culture, and politics. Feels Good Man is about many things, and Jones sets the stage early in the film by introducing the audience to the concept of memes. The term, first coined by eminent evolutionary biologist Richard Dawkins, refers basically to an idea or behavior that spreads between people within a culture. (Full disclosure: I know Richard, have met him several times, and we have both been guest speakers on the same conference program. Also, of course, he is a Board Member of the Center for Inquiry, publisher of Skeptical Inquirer science magazine.) 

 

Dawkins does not appear in the film, but Dr. Susan Blackmore does. She is a psychologist and author of many excellent books, the most relevant of which here is The Meme Machinewhich analyzes memes as the subject of study (memetics). In a TED talk and elsewhere, she has described and refined the idea of memes as ideas that replicate themselves from brain to brain, much like a virus, and often change in the process. (Full disclosure: I know Sue, have met her several times, and am a huge fan of her work on a wide variety of topics ranging from psi research to near-death experiences. And no, I don’t know anyone else in the film.) Some memes are images, and they’re very common on social media: The internet is full of them, ranging from adorable to wildly offensive: Captioned photos of Grumpy Cat. The Distracted Boyfriend photo. What The Most Interesting Man thinks. The anguished blonde yelling at a pissy white cat seated at a table in front of a plate of salad. Kermit the Frog sipping tea while dispensing some pithy wisdom. And so on. 

Pepe was one such meme. As is always the potential fate of anything online, the image was soon adopted (or co-opted, depending on your point of view) by others. The film meticulously charts Pepe’s transition from slacker cartoon frog to hated white supremacist and right-wing icon. It didn’t happen overnight, and Feels Good Man documents the main turning points. In 2005, Furie drew a crude-but-cute frog for a comic series he created called Boy’s Club. It was about the wacky antics of four anthropomorphic animal roommates, several of whom are stoner-slackers, and one of whom was Pepe, a bug-eyed, heavy-lipped green frog. 

In one panel of one of the cartoons Pepe looked sad, and, for whatever reason, that became a popular “sad frog” image on the notoriously toxic anonymous message site 4chan, typically populated by racists, sexists, misfits, and plenty of trolls. Trolls are people who, typically anonymously, delight in provoking arguments on the internet for their own amusement. “Nothing should be taken seriously” is the unofficial troll mantra. Trolls see themselves as taboo smashers whose real message is that the online world is populated with politically correct, easily offended ninnies who should lighten up.

In her book This Is Why We Can’t Have Nice Things: Mapping the Relationship between Online Trolling and Mainstream CultureProf. Whitney Phillips notes that “Trolls are keenly aware of how their behaviors impact others, and know exactly which issues will get the greatest rise from their chosen targets. From race to class to everything in between, trolls have their fingers on all kinds of powder kegs—all the better to troll you with” (p. 35); indeed, “trolling has a way of snapping its audience to attention, either by activating emotional investment or by forwarding a claim so outrageous that one cannot help but engage in a dialogue” (p. 159).

Trolling is inherently antagonistic arguing for the sake of arguing, pissing people off simply for the fun of it. The more vile, nasty, offensive, and outrageous the comment or image, the more successful the troll is by their standards. The troll is successful in part because his or her status is, at least initially, ambiguous. Do they genuinely endorse the venom they share, or is it all a joke? Just as Pepe is ambiguous—just a sad frog, after all—so is the message he carries. 

 

Pepe’s forlorn expression resonated with legions of lonely, cynical, nihilistic, and disenfranchised slacker youth who felt alienated for whatever reason. This is nothing new, of course; a generation earlier, Beavis and Butthead had become a huge hit touching on similar themes, as did punk music a generation before that. There’s nothing new under the sun; most young people will at some point or other identify with the sneering rebel, the misunderstood outsider for whom adulthood and responsibility—not to mention civility—are unreasonably onerous demands. There’s a reason why the heroes of countless films are the nerds, punks, and outcasts while the jocks, beautiful people, and rich snobs are the Establishment enemy. In this context, it’s not surprising that Pepe became an underground icon among those who hated “the normies.” Most people who initially used and shared Pepe memes were drawn to its Rorschach-like appeal of expressing sadness or sorrow, but the many trolls among them saw the potential to push it a step further, placing Pepe in increasingly inflammatory contexts. 

Soon part of the trolls’ mischievous mission was to make the Pepe image go mainstream, such as by tricking huge celebrities into sharing or referencing their images, symbols, or messaging. Several stars, including Katy Perry, shared Pepe images, surely unaware of his increasingly toxic and hostile connotations on the darker parts of the internet. In October 2015, then-candidate Donald Trump retweeted an image of him as Pepe—much to the delight of his young supporters, many of whom were very much aware that the image was associated with everything from Nazis to pedophiles. This part of the film offers an interesting, if not wholly convincing, argument that 4chan trolls played a significant role in electing Trump. 

Pepe is only one of several similar troll memes that celebrities have unwittingly endorsed. In September 2008, for example, during an Oprah Winfrey Show about online predators, Winfrey referenced a troll meme named “9000 Penises,” allegedly written by someone online claiming to represent a group of 9,000 predators. One popular meme analysis website described the reaction: “Shortly after the episode’s airing, the ‘Over 9000 penises’ segment was quickly uploaded to YouTube, where it was identified by internet users as an obvious troll. Following much mockery, Harpo Productions, Oprah’s production company, had the video taken down and removed all references to the quote on Oprah.com.” 

Ambiguity of these signs, symbols, and messages is part of their power. In 2018 during Senate confirmation hearings for Supreme Court nominee Brett Kavanaugh, rumors circulated that that a lawyer sitting behind Kavanaugh, Zina Bash, was caught on camera flashing a white nationalism sign with the fingers of one hand as her arms crossed. Memes shared on social media “revealed the truth” about what she was doing; some took it seriously, some as a joke, while others smelled Grade-A trolling. Many wondered why the Mexican-born, half-Jewish lawyer would be signaling to the world her sympathies with white nationalists. 

When Bash did it a second time, it seemed to confirm the worst fears. However, as The Washington Post reported

Taylor Foy, a spokesperson for the United States Senate Committee on the Judiciary, said there was another, innocuous explanation for this second “Okay” hand sign: the signal was aimed at a judiciary staffer who fulfilled a request for the judge. Bash texted a staffer during the hearing “to request a water glass for the judge,” Foy said. “Once it arrived, she was simply communicating her thanks.” In CSPAN’s archive of the hearings, Kavanaugh turns around and speaks to Bash at one point. There’s a coffee cup, but not water glass, on the desk. Bash and the man sitting next to her appear to discuss whatever the judge said as Bash texts on her phone. About a minute later, Bash looks straight ahead and appears to mouth the word “glass.” Then, she gives the OK hand sign. Shortly after that, a water glass is brought to Kavanaugh’s desk.”

According to this explanation, it was an “okay, thanks, everything’s good” symbol, and linked to some external issue going on at the time or just before, not a sign of her support of racism. (Others in the public eye have also been accused of flashing “secret” signs, from Hillary Clinton to Barack Obama and Beyonce.)  

Feels Good Man then chronicles Furie’s largely fruitless attempts to rebottle the genie. He did, after all, create the character and could easily prove that he owns the copyright to the image. But copyright only takes you so far; people can legally use and share works, especially if they change it in some way and thus make it eligible for protection under the Fair Use doctrine, which generally allows for the unlicensed use of works in cases such as criticism, comment, news reporting, teaching, scholarship, and research. Satire, for example, is generally considered to be Fair Use, which is why Weird Al Yankovic isn’t required to (though he does) seek permission from original artists when making his parody songs. When someone uses a copyrighted image to sell an item, however, that’s a different kettle of stoner frogs—as conspiracy peddler Alex Jones found out when he used Pepe in a poster he sold (the film includes excerpts of Alex Jones under oath in Furie’s successful lawsuit).

 

The story of Pepe the Frog is in some ways a microcosm of social media, including its reliance on outrage, clicks, and attention as the main metric of what’s valued. Neither truth, nor accuracy, nor fairness but what will get people to Like and Share—what will make algorithms push one meme to the top of the search engines and “Now Trending” lists, providing social currency (“internet fame”) for the creators and real currency for advertisers. It’s a race to the bottom, an appeal to what will get people riled up—but, as before, it’s nothing new. Jerry Springer and many others exploited this formula three decades ago on their talk shows. 

The paradox Furie faces is clear: the more he tries to fight the misuse of his beloved Pepe, the more attention he draws to it, and the more incentive and fodder he provides trolls to perpetuate it. On the other hand, ignoring the problem isn’t ideal either, and the film gives the sense that Furie was a bit too late in recognizing what was going on. 

Furie and the film make the argument that intent and context are important to consider when interpreting usage of these symbols. Some argue that anyone who share memes like Pepe should by default be assumed to have knowledge of the freight and meanings associated with it, thus removing the cover of plausible deniability for trolls. After all, by 2021, surely few people are unaware that Pepe became associated with hate groups (regardless of his innocuous origins or other uses). But the inherent nature of symbols is that it’s often difficult or impossible to know what others mean when they share ambiguous images (a cartoon of Pepe wearing a Nazi swastika would of course not be ambiguous, but the classic drawing of him crying is).

One argument is that trolls should not be given the benefit of the doubt when they claim they don’t really agree with the racist, sexist, or otherwise objectionable messages they create and share. The argument is that these memes and messages are so toxic and malicious that even if they are joking, the fact that they’re joking about such issues is itself problematic and evidence of—if not agreement with, at least tolerance of—the intolerable. Examples include the West Point cadets who, like Zina Bash, were accused of flashing white nationalist signs on camera during an Army-Navy football game in 2019. 

Feels Good Man makes a compelling argument that such a position doesn’t solve the problem but merely moves the crux of it one step further because the motive of the person sharing a meme still must be determined to know whether he or she is a troll. As we have seen, many troll memes are shared by presumably sincere and genuine non-trolls (such as Oprah and Katie Perry, not to mention Furie himself). Assuming that anyone using or sharing the Pepe meme is racist (or at best indifferent to racism) results in many false positives and false accusations—playing right into trolls’ hands. (A West Point investigation concluded that the cadets at the football game did not in fact make any white supremacy signs but were instead playing a common game with each other and were unaware they were on camera). The last scenes in the film reveal an interesting and surprising twist in the effort to reclaim Pepe the Frog. There’s no simple solution to the problem, and one can’t help but feel sorry for people who have a tattoo of Pepe (one is seen in the film) who are likely to be mistaken for a racist because of it. 

Pepe’s arc is unusual in some ways but typical in others. There’s no clear formula for a quirky viral hit; for every clever meme that survives and thrives in the social media ecosystem, tens of thousands dies in obscurity. There was no malicious mastermind who intentionally plucked Pepe off the couch playing video games with his buddies in Boys Club and put him in a Nazi uniform to troll, horrify, and amuse. It was instead an incremental (and partly random) series of steps and decisions by different people at different times with different agendas. Feels Good Man is a fascinating story with a few surprising twists along the way. It’s a cautionary tale about what happens when an artist loses control over his work, and an enlightening case study in how social media trolls operate. 

 

A longer version of this article appeared on my CFI blog; you can read it HERE. 

 

Feb 152021
 

I’m quoted in an article from McGill University’s Office for Science and Society on the topic of… alleged twin telepathy.

As one is…. You can read it HERE. 

 

 

You can find more on me and my work with a search for “Benjamin Radford” (not “Ben Radford”) on Vimeo, and please check out my podcast Squaring the Strange! 

Feb 122021
 

I recently had a free-ranging chat with Vito D’Amico (aka The Amazing Vito) on myriad things including the perils of Zoom masturbation, Bigfoot sex, the wanna-be “vampire” roommate of a girl he dated, why ghost beliefs can be harmful, confirmation bias, why real animals are more amazing that imaginary ones, and more. Check it out!

 

Feb 052021
 

I’m quoted in a new CBC article on the new appearance of an old social media scare, the “knockout game” or “blackout challenge.” You can read it HERE.  Non-Francophones can read it using the “Translate” button at the top right, and the rest of you can marvel at my beautiful French pronunciation. Merci!

You can find more on me and my work with a search for “Benjamin Radford” (not “Ben Radford”) on Vimeo, and please check out my podcast Squaring the Strange! 

 

Jan 302021
 

I was a recent guest on the Paracast Paranormal Radio show, talking with Gene and Randall about some of the strange cases in my new book Big-If True: Adventures in Oddity. We get into claims about UFO coverups, curses, walking trees, eHarmony, and all sorts of weirdness. Check it out HERE!

 

 

 

 

 

 

 

Jan 282021
 

 I wrote an article investigating the infamous “Women-Only Wonder Woman” screenings in 2017. It was a fascinating hoax that exploited social media and social justice, reaping huge publicity and lawsuits–and an apology from the theater.

 

The long-delayed, highly-anticipated sequel to the 2017 film Wonder Woman finally hit screens last month. Wonder Woman 1984 opened to decidedly mixed reviews, but it would be hard to live up to its predecessor. The original film was a commercial and critical blockbuster hit, earning over $820 million to date and a 93% Certified Fresh rating on the film review aggregator Rotten Tomatoes. There were many reasons the film did well, including strong performance by Gal Gadot, a solid script, an empowering female-led cast and crew, good special effects, and so on.

Less attention has been paid to the savvy grassroots marketing of the film, which effectively harnessed social media and social justice outrage. A closer look at the situation through the lenses of media literacy and critical thinking reveal a fascinating—and fabricated—story.

The most effective advertising and marketing campaigns are those in which the audience willingly—even enthusiastically—engages with the brand. The vast majority of advertisements are ignored, many are outright mocked and some are vilified. American media consumers, having grown up in a world cluttered with commercial jingles and ads, are largely jaded and cynical.

Technology makes it easier than ever to skip over ads, and many people pay premiums for advertisement-free entertainment services. Spam filters are very efficient at diverting emailed advertisements, and phones are more adept than ever before at blocking advertisements routed by telephone (an estimated 4 to 5 billion robocalls are made each month to people in the United States, with only a tiny percentage of them—annoying as they are—reaching consumers).

But now and then advertisers strike gold, finding ways to make audiences do their work for them, sharing their memorable message on social media in ways that only billions of marketing dollars possibly could. Superbowl halftime ads, for example, generate attention and interest weeks before the event, with news media playing their role in “reporting” on the funny/shocking/cute/edgy ads that “everyone will be talking about around the office watercooler” the next day. Rarely are so many TV viewers so eager to watch television commercials.

The Superbowl only comes once a year, however, and clever marketers have found other ways to use the news media as their platform, seamlessly blending social commentary and advertising. One of the best known examples is the Dove “Real Beauty” campaign, which garnered girl-power cred—and some inevitable backlash from feminists—by emphasizing the beauty in “ordinary women.” Its (real or perceived) newsworthiness kept it in the public eye for years.

The wildly popular and much-discussed campaign was produced by Dove/Unilever, a multi-billion dollar brand. Smaller, independent companies who can’t afford such a slick campaign need to be resourceful and find cheap but effective ways to distinguish themselves from competitors; often this means guerrilla and grassroots marketing using stunts or gimmicks to gain news media attention.

Making your brand legitimately newsworthy isn’t easy, but doing so is part of many marketing strategies. Every minute of being mentioned in “news”reports—assuming the coverage is positive or at least neutral, of course—is worth far more than a comparable minute of straight-up traditional advertising or infomercials. Many people skip over, tune out, and ignore commercials, but when a company or brand is mentioned as part of the news, it garners much more active attention.

Sometimes this technique backfires, as happened in 2007 when mysterious devices promoting the Turner Cartoon Network’s Aqua Teen Hunger Force show were mistaken for bombs and caused terrorism scares in Boston and other cities. But usually such campaigns make a small blip and then quickly fade away.

One way to give your advertising campaign longevity is to piggyback it onto a topic that people already care about—and, ideally, consider themselves activists for, such as environmentalism or social justice—and let them do your work for you. Instead of creating a demand and then selling your product to fill that demand, demonstrate how your brand aligns with their pre-existing worldview and concerns, and let the social media public promote you.

Which brings us to the Alamo Draft House, a small theater chain founded in Austin, Texas, in 1997. Part of the Alamo’s appeal (and its fame) is its quirky cinemaphile focus. Patrons are not merely discouraged from talking or texting during screenings but have been removed from the theater for doing so! Toddlers are restricted to certain showings, and audience members are often encouraged to participate by dressing up for themed occasions. The chain has 40 theaters across the country, half of them in Texas.

The ‘Clowns Only’ It Screenings

In 2017, and again in 2019, the Alamo held “clowns only” screenings of the horror movie It (parts 1 and 2, respectively) featuring Pennywise the clown. Non-clowns (or at least those not dressed as clowns) were (supposedly) barred from the screenings.

As an Uproxx article noted, “Who needs nightmares when you can be traumatized by creepy-ass clowns in person? The Alamo Drafthouse is celebrating the arrival of the 2017 cinematic take on Stephen King’s It with a clown-only screening of the movie. The Austin location of the theater chain will cater to a clown-specific audience on September 9th with a special screening of It. All attendees are expected to be done up like a clown (I can count the Captain Spauldings already) and can also visit ‘an IT pre-party where we will have face-painters available for clown ‘touch-ups,’ a photo booth, raffles for prizes, and other terrifying merriment.’” A writer for GQ attended the 2019 event and noted that clown attire (such as red noses and funny hats) was available at the door for people who showed up for the screenings without the “required” clown costume.

Headlines universally described the Alamo’s “clowns only” screening—but in fact no “clowns only” policy was enforced; for example the September 9, 2017 “clown-only” screening at the Alamo merely requested that “all attendees should arrive dressed as a clown.” It was just a silly publicity stunt that got the desired national media attention. Few questioned the truth of the advertising claim or the news media’s reporting of it; after all, it’s not as if any non-clowns were upset at being excluded. A few years earlier, however, it had been an entirely different situation.

The ‘Women Only’ Wonder Woman Screenings

When it came to scaring up controversy, Pennywise had nothing on Wonder Woman. As successful as the “clowns only” screening was, the Alamo had been more successful at courting publicity and headlines in 2017 by advertising an all-female screening of Wonder Woman; not only would female patrons be the only ones be admitted according to advertising, but “Everyone working at this screening—venue staff, projectionist, and culinary team—will be female.”

Given the Alamo’s well-known strict intolerance regarding violating theater etiquette and policies, the idea that it would hold female-only screenings sounded perfectly plausible. Most people took it seriously, and misunderstood what was going on. Dozens of journalists jumped on the bandwagon, smelling a great story.

When the screenings were announced, they were greeted with widespread approval. The first screening sold out in hours, and additional screenings were slated. The stunt worked perfectly, generating controversy and sympathetic news headlines while scoring female empowerment points and endearing the theater chain to legions of fans. A handful of people complained, sparking a predictable backlash of outrage that garnered the theater millions of dollars in further free publicity.

As it turned out, however, the Alamo was joking; paying male patrons were not refused entry to any “all-female” Wonder Woman screenings. It was a clever response by Alamo, anticipating and exploiting an equally predictable social media “outrage.”

The Alamo expertly manipulated social justice activists by creating a marketing narrative in which they were the heroes, bravely battling censorship and standing up for women’s safe spaces, “girl power,” and feminism. Activists and journalists didn’t get the joke, and the Alamo laughed all the way to the bank (at least at first). In their rush to generate clickbait headlines about a company providing women refuge from our society’s rampant misogyny the news media got it wrong—not once but twice. Not only did the news and social media misunderstand whether the “women only” screenings had actually occurred, but they also misunderstood who was complaining about it and why.

Was There a Women-Only Wonder Woman Screening?

As with the “clowns only” It screenings—which encouraged clowns but did not prohibit non-clowns from attending—the “women only” Wonder Woman screening encouraged women (more specifically, “people who identify as women,” presumably signaling Alamo’s nonbinary inclusiveness) to attend but didn’t actually prohibit non-women from attending.

Not only were men not denied entry to Wonder Woman, but the stunt backfired when two complaints were made about the screenings. These complaints added fuel to the fire and amplified the narrative that imagined hordes of misogynists were throwing petulant tantrums about not being allowed to see that specific screening. The Alamo enjoyed a second wave of publicity, this one greater than the first.

Amid all the hand-waving, self-righteousness, and troll-baiting, a little detail was lost: the screenings were in fact illegal. Even though no enforced “women-only” Wonder Woman screenings took place, the Alamo’s advertisements that there would be violated the law. Austin equality codes prohibit any public accommodation (restaurants, movie theaters, bars, community centers, etc.) from limiting their services based on a variety of factors including race, gender, sexual orientation, and so on.

‘Angry Men’

Many news reports simply stated that “some men” were upset at the women-only screenings. Few, however, bothered to take a closer look at who, exactly, those “some men” were, and what specifically their complaints were. Journalists accepted the most obvious answer—and took at face value the seemingly self-evident assumption that tone-deaf misogynists were the ones making a fuss. Many journalists didn’t bother to survey the social media responses beyond simply offering screen captures of various tweets, a process guaranteed to highlight the most extreme voices and thereby exaggerate the controversy (New York Times writer Jim Rutenberg hyperbolically referred to the incident as “causing an international uproar” in his June 5, 2017, article; the Times did not respond to a request for clarification).

 

To be sure, there were plenty of tweets to choose from, and in a social media world where even innocuous cat videos can generate controversy—never mind “debates” about the color of a dress or which way toilet paper should correctly unspool—it wasn’t hard to sift out some obnoxious responses.

The mayor of Austin, for example, received a bizarre, ranting email from a Richard A. Ameduri who wrote in part, “I hope every man will boycott Austin and do what he can to diminish Austin and to cause damage to the city’s image. The theater that pandered to the sexism typical of women will, I hope, regret its decision.” The mayor gamely counter-trolled: “I am writing to alert you that your email account has been hacked by an unfortunate and unusually hostile individual. Please remedy your account’s security right away, lest this person’s uninformed and sexist rantings give you a bad name. After all, we men have to look out for each other! . . . You and I are serious men of substance with little time for the delicate sensitivities displayed by the pitiful creature who maligned your good name and sterling character by writing that abysmal email. I trust the news that your email account has been hacked does not cause you undue alarm and wish you well in securing your account.”

The rant was widely and rightly mocked, and, with Ameduri quickly and spectacularly shot down in flames, another man soon became the new face of the seemingly misogynistic anti-Wonder Woman crusade. Unlike the noisy, mostly-anonymous online trolls and Ameduri, he took it to a whole new level and actually filed a formal complaint with the city of Austin. The Alamo’s many supporters on social media greeted the news with a mix of outrage and mockery.

Who was this angry incel, this misogynist who couldn’t stand to let women have their own screening? It was a law professor in Albany, New York, named Stephen Clark. As Salon noted, Clark “explained that the promotion of the screenings didn’t sit well with him. ‘I’m a specialist in anti-discrimination law, so I was fairly certain that this was not lawful,’ he told MyStatesman. ‘If they were trying to do a gay-only Brokeback Mountain, I would feel the same way.’” (Salon writer Alessandra Maldonado, like the Alamo, denigrated Clark’s defense of anti-discrimination laws as “whining.”)

Peter Holley profiled the chief complainant for The Washington Post: “Stephen Clark almost let it slide. The theater was 2,000 miles away in Austin, and there was no chance he was going to show up there to see a movie anyway. As a gay man who considers himself sensitive to historically disadvantaged groups, there was even a part of him that saw the value of a celebratory, women-only screening of Wonder Woman. But Clark… changed his mind when he looked up Alamo Drafthouse’s Facebook page and began reading the heated exchanges between the theater’s management and the frustrated men calling the venue’s women-only events ‘discriminatory.’”

The Alamo’s snarky tone on social media in response to (what turned out to be legitimate) complaints was another calculated effort to endear itself to audiences. Alamo fueled the flames of controversy by characterizing the complaints as completely baseless, misogynistic, and malicious. Morgan Hendrix, Alamo creative manager, said that the fact that the event “has incurred the wrath of trolls only serves to deepen our belief that we’re doing something right.” Clark found that attitude “brazen” and dismissive: “I understand the reason for creating a women-only event, but the equality principle is fundamental…. There are men in Austin who would like to celebrate women’s empowerment. There are women in Austin who would like to go to this event with their gay best friend, and they can’t under this rule.”

The Washington Post added, “He alleged that the Drafthouse’s women-only event—as it was described in the theater’s advertising—discriminated against male customers based on their gender. Citing the theater’s promise to staff only women at the events, Clark also alleged that the Drafthouse was illegally engaging in employment discrimination. ‘It’s the principle of the thing,’ he told the Post, ‘I’m a gay man, and I’ve studied and taught gay rights for years. Our gay bars have long said that you do not exclude people because they’re gay or straight or transgender—you just can’t do that for any reason . . . . We have to deal with the bachelorette parties that come to the gay bar,’ he added. ‘They’re terribly disruptive, but if you forbid women from coming to a gay bar, you’re starting down a slippery slope. It’s discrimination.’”

It was of course too late for the Alamo to publicly admit that the women-only screenings were a prank, something they never really planned to enforce; they had legions of fans defending them and encouraging them on social media. It’s not clear when they realized that their actions may have been illegal, but at any rate the theater chain decided to double down. While (justifiably) flipping the bird at the (seeming) hordes of cranky basement-dwelling misogynist manbabies online who apparently couldn’t bear women having their own screenings, they also did the same to advocates who had no problem with women—but had a very real problem with gender discrimination. That would be their undoing.

Stacy Hawkins, an associate professor of law at Rutgers University who specializes in employment law, civil rights and diversity, agreed with Clark, explaining to The Washington Post that “As far as public accommodations are concerned, I can tell you in no uncertain terms that the reason this case was filed under the Austin city code is that it prohibits discrimination on the basis of sex.” Hawkins noted that “the entire controversy could have been avoided with a simple tweak in the theater’s advertising. ‘Just eliminate ‘no men welcome’ language,’ she said. ‘You try to make sure you demonstrate this is an event for and about women and, most likely, men aren’t going to show up.’” It’s classic human behavior: Tell people they can’t do something, and suddenly they want to do it—just to prove a point, not because they necessarily care a whit about it. The Alamo understood this bit of psychology and deftly used it to its advantage.

A second complaint, from an Austin resident named Mingfey Fan, also argued that “the very act of advertising violated the Code . . . the discriminatory screening should not be allowed.” Fan withdrew the complaint after the Alamo addressed his complaint with respect instead of mockery, admitted it had in fact violated the law, and sent him a DVD of the film.

Mea Culpa

Once lawyers got involved, after profits had been made and publicity garnered, the Alamo decided to come clean. First it admitted that the women-only Wonder Woman screenings were a prank, something they had led people to believe they would do, but never actually did, and had in fact never planned to do: As the Dallas News reported, “The chain’s director of real estate and development, Missy Reynolds, said . . . that the theaters would not, in fact, have turned away any men who bought tickets to the screening.”

In a letter to the city, the Alamo apologized for the screenings and admitted they had made mistakes, violating Austin’s anti-discrimination laws. It read in part, “Respondent did not realize that advertising a ‘women’s-only’ screening was a violation of discrimination laws. . . . Respondent has a very strict non-discrimination policy in place, but this policy did NOT include a specific prohibition against advertising.”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Alamo agreed to revise its anti-discrimination policy to comply with local ordinances, and the matter was done. When the dust had settled (and after outrage profits were reaped), with hindsight it’s clear that the imagined hordes of angry men pounding on the Alamo theater’s doors demanding to be let in to see Wonder Woman never existed except as virtual boogeymen in the skewed online world, where public perception often veers markedly from reality. The myth wasn’t created by accident or coincidence, but instead was a golem cobbled together from scraps of advertising gimmickry, social narrative, clickbait outrage, and superficial journalism.

The idea of the “clowns only” It screenings—like that of the “women only” Wonder Woman screenings—was a misleading media myth that the Alamo had no reason to correct and every incentive to promote. When a priceless publicity stunt works, you stick with it. While some may feel that the Alamo profiting from social justice was crass, others marvel at the genius of its marketing stunts. 

Social Justice-Driven Box Office

Other films in recent years have also generated free publicity (and millions of dollars) by casting themselves as somehow oppressed, or outsiders battling the status quo. Perhaps the best known example is the 2014 film The Interview, which sparked controversy when its studio, Sony Pictures, was warned not to release it—presumably at the behest of North Korean leader Kim Jong Un, who in the film is not only mocked but also the target of an assassination plot. Apparently giving in to censorious threats, Sony reportedly cancelled all plans to screen The Interview, on the premise that it was better that no one saw the film than anyone be injured or killed by a terrorist act at one of the screenings. This in turn led to an outpouring of public support, with moviegoers proudly announcing their determination to see the film (sometimes repeatedly), in an explicit effort to spite Kim Jong Un. Sony came under fire for caving in to terrorist threats by scuttling the film. 

However, as in the Alamo screenings, Sony’s critics were acting on—and reacting to—misinformation. As The New York Times noted, Sony never planned a total blackout of the film, as had been widely reported. They had left the choice of whether or not the screen the film to theater owners—who had chosen not to. (For more on this, see my January 7, 2015 article “Censorship and Free Speech: Did Sony Really Cancel The Interview?”)

The internet being what it is, just about any news story will inevitably bring out some contrarians and trolls. This is especially true for controversial topics such as gender, race, religion, gun control, and so on. Faux outrage, marketing stunts, and manufactroversies are nothing new, of course. But they can have real consequences when people don’t see through the deception. Tens of millions of Americans, for example, likely remember a fictional widespread misogynistic outrage at an independent theater that dared to hold Wonder Woman screenings just for women.

As is always the case, the initial outrage got widespread publicity while the second half of the story—including the fact that the Alamo admitted that its women-only Wonder Woman screening had been a hoax (and publicity stunt)—got very little attention. There are plenty of real-world, legitimate examples of widespread sexism, but the reaction to the “women only” Wonder Woman publicity stunt was not among them. Skepticism, critical thinking, and media literacy are the best defenses against being manipulated by the media.

 

A longer version of this article appeared on my CFI blog; you can read it here. 

 

Jan 232021
 

I’m a guest on the Passport podcast, talking about scary clowns, fear of clowns, and miscellaneous clown weirdness.

 

Paris: The Serious Business of Clowning Around

Clowns: freaky, funny or downright mystifying? This week, we tread the boards of the French capital and dive into the city’s age-old love affair with this very distinct form of theatrics.Paris has been an epicentre for performance artistry since the 1800s, but today the face of clowning and the circus look and feel very different. These days, clowning is cutthroat – demanding, grueling, and for some in the industry, a dying art that few can master. Besides a look at some of Paris’ most competitive clown schools, we also delve into the dark side of clowns and how pop culture has given us more than we bargained for beneath all that grease paint and innocent smiles: coulrophobia – the fear of clowns.

Check it out HERE! 

 

Jan 202021
 

I’m delighted to join Margaret Downey, Chip Taylor, Leonard Tramiel, Jim Underdown, Celestia Ward, Penn & Teller, Jamy Ian Swiss, Richard Saunders, Angie Mattke, Susan Gerbic, Geo Hrab, Brian Engler, and many others in offering our remembrances of our colleague, friend, and mentor, the late, great Amazing Randi in the new edition of the Freethought Society News. You can read the tributes HERE! 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

A Toast To The Amazing One

It is not much of a stretch to say that James Randi was one of the two main inspirations for my career choice as a skeptical researcher and investigator (the other being Carl Sagan). It was 1992, and a beer shortage led me on a path that would culminate in me spending about half my life walking on fire, hunting ghosts, making crop circles, chasing monsters, and exploring the paranormal. While at the University of New Mexico that year I won an essay contest (my piece examined the role that human error played in the 1986 Chernobyl and space shuttle Challenger accidents) and as a prize, I was flown to a college town in Utah to present my paper. While there my colleagues and I decided to venture out for a few beers. Because we were unknowingly in a dry county, this turned out to be an arduous and ill-fated venture.

But in the process of going door to door and store to store, we came across a tiny used bookstore. Amid the spilling shelves of books on fruit canning and apocalyptic survival guides (Mormon bookstore staples), I found a few old copies of Skeptical Inquirer magazine. One in particular, with a purple cover article on Nostradamus, caught my eye, and that was the first time I’d seen anyone criticize the famed prognosticator. 

The author (James “The Amazing” Randi, as it turned out) offered skeptical, logical, and reasonable explanations for the prophecies’ apparent accuracy. Other paranormal and New Age topics were also discussed, giving another side to the story. Not all the explanations and arguments convinced me—I wasn’t taking the refutations as gospel, but at least I was hearing a new voice. I bought the issues and tucked them under my arm as the beer search went on, and upon returning home I subscribed to the magazine and joined the non-profit educational organization that published it (and which Randi co-founded): The Committee for the Scientific Investigation of Claims of the Paranormal (CSICOP, now CSI). Twenty years later I am the Deputy Editor of that magazine and a Research Fellow at CSI.

Since that time I have been honored and delighted to work with Randi in many capacities. It’s like growing up being a fan of the Rolling Stones, and ten years later finding yourself on tour with them and hanging out with Mick Jagger after a show. Call it balls, call it gumption, call it whatever you like: Randi has it in spades, and did long before I was born.

Randi and I, with Angie Mattke, about to go on stage at DragonCon. Photo by Susan Gerbic.

I don’t have the space to list all of Randi’s accomplishments, and couldn’t even if I wanted to. Life is short, you see, and anyway I’ve got a word limit here. However I’ll just mention a few of his projects that struck me as especially important. Project Alpha was brilliantly conceived and executed, teaching us that scientists’ knowledge and overconfidence in their abilities can be their own worst enemy. The Carlos hoax reminds us how gullible the news media can be when faced with the prospect of a sensational story. His legendary battles with Uri Geller teach us that woo-woo must be challenged whenever possible, and not remain unanswered.

While these stunts and investigations are noteworthy in their own right, to focus on them is to miss the forest for the trees, for what is perhaps most Amazing about Randi is the breadth of his life and experiences. He is far more than just a skeptic or escape artist or magician or world traveler. I remember visiting his home and seeing artifacts from trips to Peru he took decades ago. I, also, had traveled around Peru, including to the highlands he’d explored, and another common thread emerged. We even shared outrage at enemies of thought and reason: I mentioned that I was looking forward to passing water on the grave of George W. Bush, and he laughed and said he’d already done the same (or planned to, I forget) over the grave of Cotton Mather, one of the ideological architects of the Salem Witch Trials. We swapped war stories from the front lines of the skeptical movement, reminisced about old friends, and discussed the future of this strange skeptical endeavor we’ve both dedicated much of our lives to.

Like the brilliant Martin Gardner, whose work I admired and edited years, Randi is almost always unfailingly polite but that demeanor hides a sharp mind. He can lose his temper sometimes, like all of us, but he is better at suffering fools than many of us. He is patient and kind, but steadfastly refuses to brook exploitation of the innocent, especially from “grief vampires” like Sylvia Browne, with whom he’s feuded for years.

I dedicated my book Scientific Paranormal Investigation to Randi, and of course we come from a proud tradition of skeptics and investigators, from Benjamin Franklin to Harry Houdini. I am proud to count Randi as not only a mentor but a friend. Always quick with a quip or a trick, Randi has inspired millions. I don’t know anyone else who has toured with Alice Cooper, been encased in a block of ice for an hour, and exposed fraudulent faith healers like Peter Popoff. As varied and fascinating as his real accomplishments are, you have to watch out: Randi once told me he met Abraham Lincoln, and damn it, for a split second I believed him until that mischievous twinkle in his eyes reminded me to be more skeptical.

It’s not that no one else could, theoretically, have done many of Randi’s accomplishments; it’s that no one else did—and did them for the greater good with moral conviction, thoroughness, and a magician’s flair. There have always been skeptics, and there always will be—but there is only one Amazing Randi.

 

 

 

 

 

 

 

 

Dec 302020
 

Pleased to announce that my new book ‘Big– If True: Adventures in Oddity’ is now available in paperback and Kindle. Please check it out if you feel so inclined! You can get it HERE!

 

Dec 252020
 

In a previous blog I discussed my research into an ugly episode of racial hatred that tainted the 2016 holiday season. The Mall of America hired its first African-American Santa Claus, an Army veteran named Larry Jefferson. A local newspaper, the Minneapolis Star Tribune, carried a story about it on Dec. 1. Later that night an editorial page editor for the Tribune, Scott Gillespie, tweeted: “Looks like we had to turn comments off on story about Mall of America’s first black Santa. Merry Christmas everyone!” Overnight and the next morning his tweet went viral and served as the basis for countless news stories with headlines such as “Paper Forced to Close Comments On Mall Of America’s First Black Santa Thanks to Racism” (Jezebel) and “Racists Freak Out Over Black Santa At Mall Of America” (Huffington Post).

George Takei responded the next day via Twitter: “Watching people meltdown over a black Santa in the Mall of America. ‘Santa is white!’ Well, in our internment camp he was Asian. So there.” It was also mocked by Trevor Noah on Comedy Central, and elsewhere.

Yet every major news outlet missed the real story. They failed to check facts. My research (including an interview with Gillespie) eventually revealed that the racial incident never actually occurred, and that–despite public opinion and nearly two million news articles to the contrary–the Star Tribune did not receive a single hate-filled message in the comments section of its story on Jefferson. What happened was the product of a series of misunderstandings and a lack of fact-checking, fueled in part by confirmation bias and amplified by the digital age (for a detailed look at the case see my CFI blog “The True, Heartwarming Story of the Mall of America’s Black Santa.”)

I’ve been writing about journalism errors and media literacy for two decades (including in my book Media Mythmakers: How Journalists, Activists, and Advertisers Mislead Us), and usually there’s relatively little pushback (except, perhaps, from journalists reluctant to acknowledge errors). However a curious part of this story was the criticism I received on social media for even researching it. Perhaps the best example was when I responded to a post about the initial story on a fellow skeptic’s Facebook page. She and all of her friends on the thread took the erroneous news story at face value (which didn’t surprise me, as virtually everyone did) but what did surprise me was the suggestion that trying to uncover the truth was unseemly or even “a distraction tactic.”

One person wrote, “I actually can’t believe that a self proclaimed skeptic is even having this argument in a country that just elected Donald Trump. It’s not skepticism when it disregards the proven fact that a great deal of the country, enough to elect a president, are straight up racist.” Of course I never questioned whether many or most Americans were racist. My question was very specific, clear, and about the factual basis for this one specific incident. Neither Trump’s election nor the existence of racism in America are relevant to whether or not the Tribune had to shut down its comments section in response to a deluge of hatred against a black Santa.

The ‘Distraction’ Tactic

One person wrote that me asking how many people objected to the black Santa was “a distraction tactic–now we can talk about how most people are not racist and change the subject from racism.” I was stunned. I had no idea that asking if anyone knew how many people complained would or could be construed as somehow trying to distract people (from what to what?). I replied, “Trying to quantify and understand an issue is not a ‘distraction tactic.’ I have no interest in distracting anyone from anything.’” No one–and certainly not me–was suggesting that a certain number of racists upset over a black Santa was okay or acceptable. I never suggested or implied that if it was “only” ten or twenty or a hundred, that everyone should be fine with it.

But knowing the scope of the issue does help us understand the problem: Is it really irrelevant whether there were zero, ten, or ten thousand racist commenters? If Trump can be widely (and rightly) criticized for exaggerating the crowd at his inauguration speech as “the largest audience to ever witness an inauguration–period” when in fact it was several orders of magnitude smaller, why is asking how many people complained about a mall Santa so beyond the pale?

Usually when I encounter claims of investigating being a distraction in my research it was itself a distraction tactic, an attempt to head off inquiry that might debunk a claim or show that some assumption or conclusion was made in error–not unlike the Wizard of Oz pleading for Dorothy and her gang not to look behind the curtain. (“Why are you asking questions about where I suddenly got this important UFO-related document?” or “Asking for evidence of my faith healer’s miracle healings is just a distraction from his holy mission” doesn’t deter any journalist or skeptic worth his or her salt.) If a claim is valid and factual, there’s no reason why anyone would object to confirming that; as Thomas Paine noted, “It is error only, and not truth, that shrinks from inquiry.”

I tried to remember where else I’d heard the phrase used, when someone who was asked about something called the questions a “distraction.” Finally I realized where that tactic had become common: In the Trump administration. When Donald Trump was asked about a leaked Access Hollywood recording of him bragging about groping women sexually, he dismissed the questions–and indeed the entire issue–as “nothing more than a distraction from the important issues we’re facing today.”

Similarly, when Vice-President Pence was asked in January 2017 about whether the Trump campaign had any contacts with Russia during the campaign, he replied, “This is all a distraction, and it’s all part of a narrative to delegitimize the election.” Others in the Trump administration (including White House spokespeople) have repeatedly waved off journalists’ questions as distractions as well.

This is not particularly surprising, but it was odd to see some of my most virulent anti-Trump friends (and Facebook Friends) using and embracing exactly the same tactics Trump does to discourage questions.

There is one important difference: In my judgment Trump and his surrogates use the tactic cynically (knowing full well that the issues and questions being asked are legitimate), while those who criticized me were using the tactic sincerely; being charitable, I have no reason to think that they realized that the black Santa story and reportage had been widely (if not universally) misunderstood. But the intention and effect were the same: An attempt to discourage someone from looking beyond the surface to see what’s really going on, and attempt to separate truth from fact.

Importance of Due Diligence

A recent news story highlights the value and importance of bringing at least some skepticism to claims: Recently a woman approached reporters at The Washington Post with a potentially explosive story: that embattled Republican Senate candidate Roy Moore had impregnated her as a teenager and forced her to have an abortion. This would of course be a potentially devastating revelation for the conservative Moore, already under fire for dating (and allegedly sexually assaulting) teenagers.

According to the Post, “In a series of interviews over two weeks, the woman [Jaime T. Phillips] shared a dramatic story about an alleged sexual relationship with Moore in 1992 that led to an abortion when she was 15. During the interviews, she repeatedly pressed Post reporters to give their opinions on the effects that her claims could have on Moore’s candidacy if she went public. The Post did not publish an article based on her unsubstantiated account. When Post reporters confronted her with inconsistencies in her story and an Internet posting that raised doubts about her motivations, she insisted that she was not working with any organization that targets journalists. Monday morning, Post reporters saw her walking into the New York offices of Project Veritas, an organization that targets the mainstream news media and left-leaning groups. The organization sets up undercover ‘stings’ that involve using false cover stories and covert video recordings meant to expose what the group says is media bias.”

The Post reporter, Beth Reinhard, “explained to Phillips that her claims would have to be fact-checked. Additionally, Reinhard asked her for documents that would corroborate or support her story.” Reinhard and the Washington Post did not ask for evidence to establish the truth of Phillips’s account because they doubted that sexual assaults occur, or that Phillips may indeed have been sexually assaulted by Moore–in fact quite the opposite, since the Post was the first to break the story and publish accusations by Moore’s accusers–but instead because they were doing their due diligence as journalists. Investigative journalists and skeptics don’t question claims and ask for evidence because they necessarily doubt what they’re being told; they do it because they want to be sure they understand the facts.

Had The Washington Post not questioned the story–or been deterred by accusations that trying to establish the truth of Phillips’s claims was some sort of “distraction” tactic–the paper’s credibility would have been damaged when Phillips’s false accusation would have quickly been revealed, and the Post’s failure to do basic research used to cast doubt on the previous women’s accusations against Moore. Martin Baron, the Post‘s executive editor, said that the false accusations were “the essence of a scheme to deceive and embarrass us. The intent by Project Veritas clearly was to publicize the conversation if we fell for the trap. Because of our customary journalistic rigor, we weren’t fooled.”

What Happened?

There are several critical thinking and media literacy failures here. Perhaps the most basic is where the burden of proof lies: with the person making the claim. In fact I wasn’t making a claim at all; I was merely asking for evidence of a widely-reported claim. I honestly had no idea how many or how few Tribune readers had complained about Jefferson, and I wouldn’t have even thought to question it if Gillespie hadn’t issued a tweet that contradicted the thesis of the then-viral news story.

The black Santa outrage story is full of assumptions, mostly about the bad intentions of other people. To the best of my knowledge I’m the only person who dug deeper into the story to uncover what really happened–and for that I was told that I was causing a “distraction” and even hints that I had some unspecified unseemly motive.

It’s also important to understand why a person’s questions are being challenged in the first place. It’s often due to tribalism and a lack of charity. CSCIOP cofounder Ray Hyman, in his influential short piece titled “Proper Criticism discusses eight principles including the principle of charity. “The principle of charity implies that, whenever there is doubt or ambiguity about a paranormal claim, we should try to resolve the ambiguity in favor of the claimant until we acquire strong reasons for not doing so. In this respect, we should carefully distinguish between being wrong and being dishonest. We often can challenge the accuracy or validity of a given paranormal claim. But rarely are we in a position to know if the claimant is deliberately lying or is self-deceived. Furthermore, we often have a choice in how to interpret or represent an opponent’s arguments. The principle tell us to convey the opponent’s position in a fair, objective, and non-emotional manner.”

To scientists, journalists, and skeptics, asking for evidence is an integral part of the process of parsing fact from fiction, true claims from false ones. If you want me to believe a claim–any claim, from advertising claims to psychic powers, conspiracy theories to the validity of repressed memories–I’m going to ask for evidence. It doesn’t mean I think (or assume) you’re wrong or lying, it just means I want a reason to believe what you tell me. This is especially true for memes and factoids shared on social media and designed to elicit outrage or scorn.

But to most people who don’t have a background in critical thinking, journalism, skepticism, or media literacy, asking for evidence is akin to a challenge to their honesty. Theirs is a world in which personal experience and anecdote are self-evidently more reliable than facts and evidence. And it’s also a world in which much of the time when claims are questioned, it’s in the context of confrontation. To a person invested in the truth of a given narrative, any information that seems to confirm that idea is much more easily seen and remembered than information contradicting the idea; that’s the principle of confirmation bias. Similarly, when a person shares information on social media it’s often because they endorse the larger message or narrative, and they get upset if that narrative is questioned or challenged. From a psychological point of view, this heuristic is often accurate: Much or most of the time when a person’s statement or claim is challenged (in informal settings or social media for example), the person asking the question does indeed have a vested interest.

The problem is when the person does encounter someone who is sincerely trying to understand an issue or get to the bottom of a question, their knee-jerk reaction is often to assume the worst about them. They are blinded by their own biases and they project those biases on others. This is especially true when the subject is controversial, such as with race, gender, or politics. To them, the only reason a person would question a claim is if they are trying to discredit that claim, or a larger narrative it’s being offered in support of.

Of course that’s not true; people should question all claims, and especially claims that conform to their pre-existing beliefs and assumptions; those are precisely the ones most likely to slip under the critical thinking radar and become incorporated into your beliefs and opinions. I question claims from across the spectrum, including those from sources I agree with. To my mind the other approach has it backwards: How do you know whether to believe a claim if you don’t question it?

My efforts to research and understand this story were borne not of any doubt that racism exists, nor that Jefferson was subjected to it, but instead of a background in media literacy and a desire to reconcile two contradictory accounts about what happened. Outrage-provoking stories on social media–especially viral ones based on a single, unconfirmed informal tweet– should concern all of us in this age of misinformation and “fake news.”

The real tragedy in this case is what was done to Larry Jefferson, whose role as the Mall of America’s first black Santa has been tainted by this social media-created controversy. Instead of being remembered for bringing hope, love, and peace to girls and boys, he will forever be known for enduring a (fictional) deluge of bilious racist hatred.

The fact that Jefferson was bombarded by love and support from the general public (and most whites) should offer hope and comfort this holiday season. A few anonymous cranks, trolls, and racists complained on social media posts from the safety of their keyboards, but there was very little backlash–and certainly nothing resembling what the sensational headlines originally suggested.

The true story of Jefferson’s stint as Santa is diametrically the opposite of what most people believe: He was greeted warmly and embraced by people of all colors and faiths as the Mall of America’s first black Santa. I understand that “Black Santa Warmly Welcomed by Virtually Everyone” isn’t a headline that any news organization is going to see as newsworthy or eagerly promote, nor would it go viral. But it’s the truth–and the truth matters.

 

A longer version of this story appeared on the Center for Inquiry blog; you can read it HERE. 
 

 

Dec 242020
 

Back before the pandemic, amid the encroaching commercialization of Christmas, Black Friday sales, and annual social media grumblings about the manufactured controversy over whether “Merry Christmas” or “Happy Holidays” is appropriate, an ugly episode of racial hatred tainted the beginning of the 2016 holiday season.

blacksantatweet

It began when the Mall of America hired a jolly bearded man named Larry Jefferson as one of its Santas. Jefferson, a retired Army veteran, is black–a fact that most kids and their parents neither noticed nor cared about. The crucial issue for kids was whether a Playstation might be on its way or some Plants vs. Zombies merchandise was in the cards given the particular child’s status on Santa’s naughty-or-nice list. The important thing for parents was whether their kids were delighted by the Santa, and all evidence suggests that the answer was an enthusiastic Yes. “What [the children] see most of the time is this red suit and candy,” Jefferson said in an interview. “[Santa represents] a good spirit. I’m just a messenger to bring hope, love, and peace to girls and boys.”

The fact that Santa could be African-American seemed self-evident (and either an encouraging sign or a non-issue) for all who encountered him. Few if any people at the Mall of America made any negative or racist comments. It was, after all, a self-selected group; any parents who might harbor reservations about Jefferson simply wouldn’t wait in line with their kids to see him and instead go somewhere else or wait for another Santa. Like anything that involves personal choice, people who don’t like something (a news outlet, brand of coffee, or anything else) will simply go somewhere else–not erupt in protest that it’s available to those who want it.

However a black Santa was a first for that particular mall, and understandably made the news. On December 1 the local newspaper, the Minneapolis Star Tribune, carried a story by Liz Sawyer titled “Mall of America Welcomes Its First Black Santa.

Scott Gillespie, the editorial page editor for the Tribune, tweeted later that night (at 9:47 PM): “Looks like we had to turn comments off on story about Mall of America’s first black Santa. Merry Christmas everyone!” The tweet’s meaning seemed both clear and disappointing: On a story that the Star Tribune posted about an African-American Santa, the racial hostility got so pervasive in the comments section that they had to put an end to it, out of respect for Jefferson and/or Star Tribune readers. He ended with a sad and sarcastic, “Merry Christmas” and sent the tweet into cyberspace.

Overnight and the next morning his tweet went viral and served as the basis for countless news stories with titles such as “Paper Forced to Close Comments On Mall Of America’s First Black Santa Thanks to Racism” (Jezebel); “Santa is WHITE. BOYCOTT Mall of America’: Online Racists Are Having a Meltdown over Mall’s Black Santa” (RawStory); “Racists Freak Out Over Black Santa At Mall Of America” (Huffington Post); “Mall of America Hires Its First Black Santa, Racists of the Internet Lose It” (Mic.com), and so on. If you spend any time on social media you get the idea. It was just another confirmation of America’s abysmal race relations.

There’s only one problem: It didn’t happen.

At 1:25 PM the following day Gillespie, after seeing the stories about the scope and nature of the racist backlash the Tribune faced, reversed himself in a follow-up tweet. Instead of “we had to turn off comments,” Gillespie stated that the commenting was never opened for that article in the first place: “Comments were not allowed based on past practice w/stories w/racial elements. Great comments on FB & Instagram, though.”

This raised some questions for me: If the comments had never been opened on the story, then how could there have been a flood of racist comments? Where did that information come from? How many racist comments did the paper actually get? Fewer than a dozen? Hundreds? Thousands? Something didn’t add up about the story, and as a media literacy educator and journalist I felt it was important to understand the genesis of this story.

It can serve as an object lesson and help the public understand the role of confirmation bias, unwarranted assumptions, and failure to apply skepticism. In this era of attacks on “fake news” it’s important to distinguish intentional misinformation from what might be simply a series of mistakes and assumptions.

While I have no doubt that the Tribune story on Jefferson would likely have been the target of some racist comments at some point, the fact remains that the main point of Gillespie’s tweet was false: the Tribune had not in fact been forced to shut down the comments on its piece about the Mall of America’s black Santa because of a deluge of racist comments. That false information was the centerpiece of the subsequent stories about the incident.

The idea that some might be upset about the topic is plausible; after all, the question of a black Santa had come up a few times in the news and social media (perhaps most notably Fox News’s Megyn Kelly’s infamous incredulity at the notion three years earlier–which she later described as an offhand jest). Racist, sexist, and otherwise obnoxious comments are common in the comments section of many articles online on any number of subjects, and are not generally newsworthy. There were of course some racists and trolls commenting on the secondary stories about the Star Tribune‘s shutting down its comment section due to racist outrage (RawStory collected about a dozen drawn from social media), but fact remains that the incident at the center of the controversy that spawned outrage across social media simply did not happen.

A few journalists added clarifications and corrections to the story after reading Gillespie’s second tweet or being contacted by him. The Huffington Post, for example, added at the bottom of its story: “CLARIFICATION: This story has been updated to reflect that the Minneapolis Star Tribune‘s comment section was turned off when the story was published, not in response to negative comments.” But most journalists didn’t, and as of this writing nearly two million news articles still give a misleading take on the incident.

The secondary news reports could not, of course, quote from the original non-existent rage-filled comments section in the Star Tribune, so they began quoting from their own comments sections and those of other news media. This became a self-fulfilling prophecy, wherein the worst comments from hundreds of blogs and websites were then selected and quoted, generating another round of comments. Many people saw racist comments about the story and assumed that they had been taken from the Star Tribune page at the center of the story, and couldn’t be sure if they were responding to the original outrage or the secondary outrage generated by the first outrage. As with those drawn to see and celebrate Jefferson as the mall’s first black Santa, this was also a self-selected group of people–namely those who were attracted to a racially charged headline and had some emotional stake in the controversy, enough to read about it and comment on it.

Unpacking the Reporting

I contacted Gillespie and he kindly clarified what happened and how his tweet inadvertently caused some of the world’s most prominent news organizations to report on an ugly racial incident that never occurred.

Gillespie–whose beat is the opinion and editorial page–was at home on the evening of December 1 and decided to peruse his newspaper’s website. He saw the story about Larry Jefferson and clicked on it to see if the black Santa story was getting any comments. He noticed that there were no comments at all and assumed that the Star Tribune‘s web moderators had shut them off due to inflammatory posts, as had happened occasionally on previous stories.

Understandably irritated and dismayed, he tweeted about it and went to bed, thinking no more of it. The next day he went into work and a colleague noticed that his tweet had been widely shared (his most shared post on social media ever) and asked him about it. Gillespie then spoke with the newspaper’s web moderators, who informed him that the comments had never been turned on for that particular post–a practice at the newspaper for articles on potentially sensitive subjects such as race and politics, but also applied to many other topics that a moderator for whatever reason thinks might generate comments that may be counterproductive.

“I didn’t know why the comments were off,” he told me. “In this case I assumed we followed past practices” about removing inflammatory comments. It was a not-unreasonable assumption that in this case just happened to be wrong. Gillespie noted during our conversation that a then-breaking Star Tribune story about the death of a 2-year-old girl at a St. Paul foster home also had its commenting section disabled–presumably not in anticipation of a deluge of racist or hateful comments.

“People thought–and I can see why, since I have the title of editorial page editor–that I must know what I’m talking about [in terms of web moderation],” Gillespie said. He was commenting on a topic about his newspaper but outside his purview, and to many his tweet was interpreted as an official statement and explanation of why comments did not appear on the black Santa story.

When Gillespie realized that many (at that time dozens and, ultimately, millions) of news stories were (wrongly) reporting that the Star Tribune‘s comments section had been shut down in response to racist comments based solely on his (admittedly premature and poorly phrased) Dec. 1 tweet, he tried to get in touch with some of the journalists to correct the record (hence the Huffington Post clarification), but by that time the story had gone viral and the ship of fools had sailed. The best he could do was issue a second tweet trying to clarify the situation, which he did.

“I can see why people would jump to the conclusion they did,” he told me. Gillespie is apologetic and accepts responsibility for his role in creating the black Santa outrage story, and it seems clear that his tweet was not intended as an attempt at race-baiting for clicks.

In the spirit of Christmas maybe one lesson to take from this case is charity. Instead of assuming the worst about someone or their intentions, give them the benefit of the doubt. Assuming the worst about other people runs all through this story. Gillespie assumed that racists deluged his newspaper with racist hate, as did the public. The web moderator(s) at the Star Tribune who chose not to open the comments on the Santa story may (or may not) have assumed that they were pre-empting a deluge of racism (which may or may not have in fact followed). I myself was assumed to have unsavory and ulterior motives for even asking journalistic questions about this incident (a topic I’ll cover next week).

In the end there are no villains here (except for the relative handful of racists and trolls who predictably commented on the secondary stories). What happened was the product of a series of understandable misunderstandings and mistakes, fueled in part by confirmation bias and amplified by the digital age.

The Good News

Gillespie and I agreed that this is, when fact and fiction are separated, a good news story. As noted, Gillespie initially assumed that the newspaper’s moderators had been inundated with hostile and racist comments, and finally turned the comments off after having to wade through the flood of hateful garbage comments to find and approve the positive ones. He need not have feared, because exactly the opposite occurred: Gillespie said that the Star Tribune was instead flooded with positive comments applauding Jefferson as the Mall of America’s first black Santa (he referenced this in his Dec. 2 tweet). The tiny minority of nasty comments were drowned out by holiday cheer and goodwill toward men–of any color. He echoed Jefferson, who in a December 9 NPR interview said that the racist comments he heard were “only a small percentage” of the reaction, and he was overwhelmed by support from the community.

The fact that Jefferson was bombarded by love and support from the general public (and most whites) should offer hope and comfort. Gillespie said that he had expected people to attack and criticize the Mall of America for succumbing to political correctness, but the imagined hordes of white nationalists never appeared. A few anonymous cranks and racists complained on social media posts from the safety of their keyboards, but there was very little backlash–and certainly nothing resembling what the sensational headlines originally suggested.

The real tragedy is what was done to Larry Jefferson, whose role as the Mall of America’s first black Santa has been tainted by this social media-created controversy. Instead of being remembered for, as he said, bringing “hope, love, and peace to girls and boys,” he will forever be known for enduring a (fictional) deluge of bilious racist hatred. The true story of Jefferson’s stint as Santa is diametrically the opposite of what most people believe: He was greeted warmly and embraced by people of all colors and faiths as the Mall of America’s first black Santa.

Some may try to justify their coverage of the story by saying that even though in this particular case Jefferson was not in fact inundated with racist hate, it still symbolizes a very real problem and was therefore worthy of reporting if it raised awareness of the issue. The Trump administration adopted this tactic earlier this week when the President promoted discredited anti-Muslim videos via social media; his spokeswoman Sarah Huckabee Sanders acknowledged that at least some of the hateful videos Trump shared were bogus (and did not happen as portrayed and described), but insisted that their truth or falsity was irrelevant because they supported a “larger truth”–that Islam is a threat to the country’s security: “I’m not talking about the nature of the video,” she told reporters. “I think you’re focusing on the wrong thing. The threat is real, and that’s what the President is talking about.”

This disregard for truth has been a prominent theme in the Trump administration. Yes, some tiny minority of Muslims are terrorists; no one denies that, but that does not legitimize the sharing of bogus information as examples supposedly illustrating the problem. Similarly, yes, some tiny minority of Americans took exception to Jefferson as a black Santa, but that does not legitimize sharing false information about how a newspaper had to shut down its comments because of racist rage. There are enough real-life examples of hatred and intolerance that we need not invent new ones.

In this Grinchian and cynical ends-justifies-the-means worldview, there is no such thing as good news and the import of every event is determined by how it can be used to promote a given narrative or social agenda–truth be damned.

I understand that “Black Santa Warmly Welcomed by Virtually Everyone” isn’t a headline that any news organization is going to see as newsworthy or eagerly promote, nor would it go viral. But it’s the truth.

Merry Christmas.

 

A longer version of this article appeared on my Center for Inquiry blog; you can read it HERE

Dec 212020
 

“This episode we discuss the otherworldly monolith that’s popped up in a remote part of Utah, and Ben shares another in his series of “used book mysteries,” this one perfectly timed for the election. For our main segment, we have a lengthy discussion with newly minted CFI fellow (and just plain jolly good fellow) Kenny Biddle. Ben and Kenny bring up some of their investigative heroes, lay out some principles of skeptical investigation, and tell us why they have a passion for digging into cold-case mysteries. Good advice to be had for anyone who wants to sharpen their investigation tool set.”

 

You can listen to the episode HERE! 

 

Dec 182020
 

In early May 2020, a YouTube video titled Plandemic was released by Mikki Willis (credited onscreen as “father/filmaker”[sic]) that featured a lengthy interview with virologist Judy Mikovits, who offered scattershot conspiracy-laden assertions about the “truth” behind the COVID-19 pandemic, prefaced by claims of having been framed for a crime (she was charged with theft in 2011) and accusations of government coverups going back decades involving various medical authorities, including Dr. Anthony Fauci. 

Willis’s voiceover gravely warned that “for exposing their deadly secrets, the minions of Big Pharma have waged war on Dr. Mikovits,” who in the film—and, not coincidentally, in her new book—bravely reveals “the plague of corruption that places all human life in danger.” 

 

Dozens of claims appeared in the twenty-six-minute video, some of which are unverifiable—as conspiracy theories tend to be. But many statements made by Mikovits have been investigated and proven to be misleading or simply false. Within weeks, the video was widely shared on social media, often by ostensibly non-conspiracy promoters who were “just asking questions.” The video was soon identified by social media platforms as containing dangerous misinformation and was subsequently removed. This in turn reinforced the idea that the views were being silenced and censored by Big Pharma, Big Tech, or some other sinister, shadowy Big. 

Questions were raised by reputable journalists for publications including The Washington Post and The Atlantic, as well as Politifact and the Center for Inquiry. For an expert and filmmaker who claim to have been censored and silenced, Mikovits and Willis were strangely silent about answering legitimate questions. 

The video was released on May 4; it’s now the week after Thanksgiving. Nearly seven months have passed since Mikovits and Willis made their claims. How have their claims and predictions held up? 

There’s a lot to unpack in the video, but given the widespread audience that Plandemic had, it’s worth revisiting some claims and taking a closer look at its basic assumptions. It’s understandable that many in the public may have found this conspiracy theory plausible in the first few months of the pandemic. After all, there was a morass of misinformation and contradictory predictions and models, along with the typical perils of incomplete information during a global pandemic. 

Simply making predictions about COVID—or anything—is easy to do. Trump, for example, claimed on February 10, 2020, that the virus “will go away in April.” It did not. On February 27, he claimed that “It’s going to disappear. One day—it’s like a miracle—it will disappear.” It may or may not eventually disappear, but so far it’s ravaged the world. Throughout the remaining months Trump repeatedly—dozens of times—claimed that the virus would just “disappear” or  “go away.” Early predictions may have been plausible, but as month after month passed and it didn’t go away, you don’t need to be a stable genius to realize that he was flat wrong. Whatever the skeptics and critics said, time is the ultimate proof: Either it happened or it didn’t, and no amount of rationalizing can salvage it. 

As I noted in an article I wrote for this page in April:

The record of wrong predictions about the coronavirus is long and grows by the hour. Around Valentine’s Day, the director of policy and emergency preparedness for the New Orleans health department, Sarah Babcock, said that Mardi Gras celebrations two weeks later should proceed, predicting that “The chance of us getting someone with coronavirus is low.” That projection was wrong, dead wrong: a month later the city would have one of the worst outbreaks of COVID-19 in the country, with correspondingly high death rates. Other projections have overestimated the scale of infections, hospitalizations, and/or deaths. …  It’s not that epidemiologists and other health officials have all the data they need to make good decisions and projections about public health and are instead carefully considering ways to fake data to deceive the public and journalists. It’s that they don’t have all the data they need to make better predictions, and as more information comes in, the projections will get more accurate. 

 

We now have the benefit of hindsight and nearly seven months of experience and evidence since the Plandemic video went viral. Does what has happened over the past seven months suggest that Mikovits and Willis were telling the truth or that they were wrong (or lying)? Mikovits and Willis offered no evidence, and refused to answer any questions about, their claims. On that basis alone, we can conclude that there’s probably something sketchy going on. Because they refused to clarify or expand on their claims, I can only go by what they said in the video. 

The video contains dozens of claims and assertions, many of which aren’t specific enough to be proven true or false. But I’ll focus on three specific, key claims: 

1) The Plandemic video claims that masks “activate” the coronavirus and that the virus is more infectious for individuals wearing masks than for those not wearing masks. 

This claim is obviously and undeniably false. We know this because there is a proven inverse correlation between mask wearing and infection rates: the more often people (both on individual and population levels) wear masks, the less likely they are to contract the virus. If wearing masks “activated” the virus (whatever that would mean), then there would be a positive correlation between mask wearing and contracting illness. 

This was obvious even in May when the Plandemic video circulated, because toward the beginning of the outbreak most people were not wearing masks; if wearing a mask made you more vulnerable to the virus, then it wouldn’t have spread. If common sense (and a background in virology) don’t tell Mikovits that masks help prevent the spread of infectious airborne diseases, there are also a raft of recent studies demonstrating it

2) The video promotes hydroxychloroquine as effective against the virus and claims that “thousands of pages of data” have demonstrated the drug’s safety and efficacy. 

In fact, controlled clinical trials of the drug have been performed; they found elevated cardiac risks, and several placebo-controlled studies found no efficacy at all. As The Washington Post noted recently:

 

The Food and Drug Administration withdrew its emergency-use authorization for hydroxychloroquine in hospitalized patients in June, concluding that safety risks, including heart problems, outweighed any potential benefits. It has also warned against using the drug in outpatient settings, saying it could cause serious heart rhythm problems. The first randomized clinical trial later found that hydroxychloroquine was no more effective than a placebo at treating covid-19 in patients who were not hospitalized.

Trump’s own top health officials have explicitly said that the drug is not effective for COVID-19 patients. Notably, when President Trump became infected with the virus, he did not take hydroxychloroquine; more on that later. That, too, has been proven false. 

3) In the Plandemic video, Mikovicz states her key premise, a conspiracy that the pandemic was “planned” with the ultimate goal “to prevent the therapies until everyone is infected, then push the vaccines.” 

There are three distinct parts here: 1) “preventing the therapies” 2) until such time as “everyone is infected” and then finally 3) “pushing the vaccines.”

 

‘Preventing the Therapies’? 

Let’s start with “preventing the therapies”: which therapies, exactly, have been “prevented” from being used in COVID patients? There’s no evidence that any effective therapies have been prevented from being used on sick patients at all, ever. 

Mikovicz doesn’t say what therapies she’s referring to, but as noted it would presumably include hydroxychloroquine, which Trump has touted as well. And when Trump was diagnosed with COVID, which therapies were used in his recovery? Not the one endorsed by Mikovicz and Plandemic but instead a completely different therapy, an experimental antibody treatment

So far three vaccines have emerged from Phase 3 trials and applied for emergency use authorization from Pfizer, Moderna, and AstraZeneca. The Pfizer and Moderna vaccines were developed using messenger RNA technology, which “use a snippet of the virus’s genetic code to instruct cells to build the spike protein on the surface of the coronavirus, teaching the immune system to recognize the real thing.” The AstraZeneca-Oxford vaccine uses a harmless virus to deliver “to the body’s cells the genetic code for the spike protein. The cells then make a replica of the spike protein and the immune system learns to recognize the real virus.” 

The reason you haven’t heard about a vaccine or treatment developed with hydroxychloroquine is simple: There isn’t one; it doesn’t work. The drug literally failed to help patients, so it’s (quite reasonably) not in the vaccines soon to be approved. The powerful, shadowy industry that Plandemic claimed would “prevent the therapies” didn’t actually prevent any therapies, so that’s also false. 

‘Everyone Infected’? 

We can move on to the second part of the claim, that the vaccines will be held back until such time as “everyone is infected.” This is nonsensical from a scientific point of view (and it’s astonishing that Mikovicz, who claims to be a brilliant virologist, didn’t know it), but if everyone is infected, then no vaccine is needed, because those who didn’t die from the virus would have some degree of immunity—the same protection that a vaccine provides, except of course without the severe lingering health damage that infection causes.

Maybe Mikovicz was using hyperbole (again, she didn’t respond to questions, so I can’t be sure what she meant), but as of this writing 60 million people around the world have contracted the virus, and 1.4 million of them have died; in the United States alone, there are 12.5 million cases and 260,000 deaths. 

When, exactly, does Mikovicz think the vaccines will be released, and why haven’t they been already? What is the magic number of sick and dead that Plandemic’s imaginary cabal of conspirators are waiting for? How many potential buyers have to get sick and die waiting for the vaccines she thinks are (or were) ready and just waiting to be released? Even in the pretzel-logic world of conspiracies, this one is bizarre. 

‘Pushing Vaccines’?

The claims made by Mikki Willis and Judy Mikovits in Plandemic have pretty clearly been proven wrong, but for the sake of completeness, let’s address the third part of her claim, that after “everyone” (or enough, though apparently we’re not there yet) people are infected, the conspirators will begin “pushing the vaccines.”

It’s true that health experts, the government, vaccine makers, and others are promoting (or “pushing” in conspiracy talk) the vaccines, but there’s nothing nefarious about it. As The New York Times noted, “Public messaging campaigns can be instrumental in persuading people to act in a health crisis. Travel advisories kept many pregnant tourists and business travelers away from areas struggling to contain the Zika epidemic in 2016, for instance.” Nor is there anything new about it; the Ad Council (a nonprofit organization that produces, distributes, and promotes public service announcements) is preparing campaigns encouraging people to get vaccinated. The organization did the same thing in the 1950s when it encouraged the public to get polio vaccinations, and if you don’t know anyone who has gotten polio in the past fifty years, it’s due in part to organizations “pushing the vaccines.”

Why would they care whether the public is vaccinated? Not because of some sinister conspiratorial motive but because COVID is not only a public health crisis but also a social and economic one. The more people are vaccinated, the sooner the general population is healthy and not straining intensive care units in hospitals across the country and around the world. The sooner people are vaccinated, the sooner businesses and schools can reopen. It’s not complicated. 

So, yes, health experts are encouraging the public to get vaccinated, though no one is, or will be, forced to. Vaccinations have never been mandatory in the United States; even children are not forced to be vaccinated if their parents choose to home school. When COVID-19 vaccines are available, if you don’t want to get it, that’s perfectly fine. Federal agents armed with automatic weapons in one hand and a vaccine syringe in the other aren’t going to be bursting through Americans’ doors to forcibly vaccinate anyone—fevered conspiracy fantasies to the contrary. 

Mikovits and Willis have refused to answer rebuttals and faded from the spotlight, silent for nearly half a year as the virus has continued to ravage the country and globe. Perhaps the reason is simple and both immoral and horrifying: Plandemic was never about finding truth but instead a wildly successful publicity stunt for Mikovits’s book Plague of Corruption (which soon topped best-seller lists with the help of anti-vaccination activist Robert F. Kennedy Jr. and his foundation). 

It was all part of a cynical, dangerous, and astonishingly effective advertising campaign. The millions who shared, watched, and defended the Plandemic video were unwitting dupes who promoted a book of false conspiracy theories whose core message is harmful to public health and which fueled unfounded fears of vaccines against a potentially deadly virus. Plandemic, ironically, does exactly what Mikovits and Willis accuse Big Pharma and the medical industry of doing: exploits human lives and fears for profit. 

An October 2020 article by researchers at the Drexel University Dornsife School of Public Health published in The Harvard Kennedy School Misinformation Review confirms that the consequences of this marketing ploy could be dire:

 

Anti-vaccine activists produced Plandemic to increase vaccine hesitancy and decrease vaccination, but their lasting impact may be that it promoted cynicism about measures meant to prevent COVID-19 spread, such as use of face masks and social distancing. Disregarding these measures threatens public health and may only serve to extend the pandemic. Stopping the spread and influence of Plandemic—and related misinformation—is in the interest of the public’s health. 

 

Whether Mikovits and Willis truly believe their claims isn’t clear, but in any event their work is done. It was never about “exposing truth” or Big Pharma conspiracies but instead cleverly manipulating people on social media (and, by proxy, national news media covering the story) to get millions of dollars in free publicity for Mikovits’s book. Who are the real “sheeple” in this story, and what damage will they have done? 

 

A longer version of this piece appeared on the Center for Inquiry “Coronavirus Resources Page”; you can read it HERE. 

Dec 162020
 

When my book “Scientific Paranormal Investigation” was published in 2010 I took out a full page ad in the T.A.P.S. (“Ghost Hunters” TV show) magazine. I figured their audience needed my book more than anyone… 😁

 

Dec 142020
 

The new episode of Squaring the Strange is out! First we discuss “monolith mania” then for our main segment we bring back Dr. Leo Igwe, who has fought to protect people accused of witchcraft in Africa and elsewhere. Please check it out, you can listen to it HERE

 

Dec 072020
 

In my line of work, I routinely encounter events said to be inexplicable. They’re not merely amazing or incredible but downright unexplained. At times the topics I research are even said to be “beyond science” (whatever that would mean). These subjects—including psychic powers, crop circles, Bigfoot, ghosts, and miracles—are described as timeless mysteries that cannot be fathomed or understood: the mystery is simply too great, overwhelming all human capacity for understanding. 

Of course most or all of these mysteries have indeed been explained through careful investigation. Invariably when people call something mysterious or unknowable, it’s because they simply haven’t put in the time and effort to understand it. The world is a complex place with many variables and moving parts; deconstructing them takes time and effort. 

When I hear that ghosts are “unexplained,” I’m likely to politely and diplomatically inquire what specific aspect of ghosts the speaker finds inexplicable and what knowledge or assumptions factor into their blithe conclusion that specters are—must be—inherently beyond the capacity for human comprehension. What exactly do they think cannot be explained? A particular “spooky” photo? A creepy experience they had in an old house? Some scene in a “reality” TV ghost hunting show? Just because one person doesn’t understand something doesn’t mean it can’t be explained by someone else; typically, they’re called experts. 

I thought about this over the past few months when seeing social media posts expressing astonishment and utter incomprehension about support for Donald Trump. This appears in countless memes, usually framed by something along the lines of “I’ll never understand why people still support Trump despite X…” 




Rationalizing Trump

Explaining why Trump continues to have supporters after his repeated comments about minorities, women, the disabled, immigrants, etc., is actually pretty straightforward. It’s the same reason he doesn’t lose significant support when he makes bizarre and false comments about any number of things. His supporters offer one or more of the following reasons to overlook them: it was a joke or typical political braggadocio that doesn’t reflect his beliefs and therefore characterizing it as a sincere comment is political correctness run amok (and/or it is intentionally mischaracterized by the “fake news” media, one of countless example of how unfairly he’s treated); or that it’s a harmless mistake or misspeak (no one’s perfect after all). 

Trump greatly exaggerated the size of his inauguration? So what? He’s a politician and a showman; that’s hardly a big deal. He bragged off camera about grabbing women? So what? It’s locker room talk; men always brag to other guys about their sexual prowess; it’s unseemly but hardly a reason not to vote for him. He suggested that COVID-19 could be cured by injecting disinfectant or exposing patients to “ultraviolet or just very powerful light” and later encouraged his supporters to vote twice, once by mail and again in person? Taking it literally is disingenuous; he was obviously joking! And so on. 

Plus, as I’ve previously written, Trump is almost always right because he takes both sides of issues, declaring in one moment that he condemns white supremacists and in the next implying that he supports them. He praises his COVID-19 response team—before criticizing them hours later. He encourages Americans to vote by mail until he discourages them from doing so. When we combine this tactic with psychological factors such as confirmation bias (selectively noticing and remembering information that confirms our assumptions and beliefs while ignoring information that undermines it), it’s not difficult to understand his significant support. 


Salon and CNN recently had headlines describing more of Trump’s presidency as “unimaginable.” Dismal, depressing, or ruinous, sure … but unimaginable? Beyond the human ability to comprehend? We can imagine far-off worlds of science fiction and dragons, meeting gods and seeing other galaxies. A Trump re-election, however distasteful and ruinous, is hardly unimaginable. And it’s just this sort of catastrophizing hyperbole that his supporters point to as evidence that news media is out of touch and, well, exaggerating. Sure, they say, the past four years haven’t been great, with the pandemic and all, but they haven’t been unimaginably bad, and in fact could have been worse. 

Demystifying Trump

There’s nothing mysterious, profound, or unexplainable about Donald Trump or his support. All the information you need to understand Trump and his appeal is available with an internet connection and a few taps of a keyboard. 

It’s all there. You just have to look for it: Trump’s appeal to black votersTrump’s appeal to conservative women votersWhy many Latino voters support Trump.  Why about half of women voters cast their ballots for Trump in 2016, long after his crude and sexist remarks were well known. Why Trump appeals to evangelical Christians despite his personal history of infidelity and porn stars. And so on. 

Whatever it is that you don’t understand about Trump or his base, you can find years’ worth of solid reporting and analysis, from best-selling books to documentaries to long-form journalism.  

Not only is there no excuse not to understand the Trump phenomenon, but failing to do so is a grave error if you oppose him. To solve a problem you have to understand it. You can bet that Joe Biden’s campaign hasn’t declared Trump’s support beyond comprehension, throwing up their hands in defeat in the face of Trump’s inherently inscrutable nature and appeal. 

When it comes to continued support after Trump’s seemingly racist and misogynist comments, there’s another, more powerful rationale among his minority and women voters: The comment wasn’t a joke or hyperbole, and may in fact reveal his core values (if indeed he has core values beyond self-interest, a premise I don’t accept). But they are willing to overlook it because he advocates for other, more important issues. This is a theme that recurs over and over again: voters don’t appreciate his sexist and racist comments but don’t consider them to be disqualifying. It’s simply not a hill they’re willing to die on. They vote for Trump despite, not because of, such comments and actions. 

For some people, the “I’ll Never Understand Trump” phrase serves as a shorthand, signifying not sincere confusion but wanting those on social media to know that Trump’s words and behaviors are so aberrant, distasteful, and foreign to them that they are metaphorically beyond understanding. However, even merely as a trite rhetorical device, the idea that Trump’s support is “beyond understanding” fuels a harmful narrative about Trump and his power. 

I wrote about this several years ago in an article about people avoiding using Trump’s full name. Often refusing to name a figure is done in deference to their awesome and potentially destructive power. The idea is that to say the name without sufficient reverence—or at all—is to risk drawing the person’s attention or wrath. In Roman Catholic exorcisms, knowing a demon’s name is considered an important part of the ritual and gives the priest power over the evil entity. Even saying the name of the Christian god is considered dangerous in some cases. The Harry Potter villain Voldemort is referred to as “He Who Must Not Be Named.” In British fairy folklore there is a long tradition of avoiding speaking the word fairy aloud to avoid their wrath. Refusing to use Trump’s name, regardless of the motivation, treats him as a special case, something that is done just for him. We need not think twice about spelling out the names of ordinary people, but Trump’s name is marked as extraordinary, requiring special care and attention, either in mocking circumlocutions or avoiding it completely. 

Some of this “I’ll Never Understand Trump” messaging may be hyperbole and virtue signaling (ironically the same techniques used by Trump and his supporters), and there’s a persistent concern that understanding something bad or malicious is the same as accepting or endorsing it. We see this often in discussions about killers, when someone comments that they could understand why someone would “snap” or act out (after being victimized or abused, for example), prompting others to ask why the commenter is “defending” the criminal or crime. 

Mick West’s book Escaping the Rabbit Hole: How to Debunk Conspiracy Theories Using Facts, Logic, and Respect is instructive; in it he emphasizes the importance of listening to why conspiracy theorists believe the theories they endorse as well as understanding the psychological processes behind them. I’m not comparing Trump supporters to conspiracy believers (though there’s some demonstrable overlap, given the president’s repeated endorsement of them); instead my point is that understanding a point of view doesn’t imply agreeing with it. As Baruch Spinoza noted, “I have made a ceaseless effort not to ridicule, not to bewail, not to scorn human actions, but to understand them.” From critical thinking and logical perspectives, this is completely false, of course, but that may partly explain the reluctance by many liberals to “understand” Trump and his support. 

Trump is not some uniquely inscrutable phenomenon; he is instead a banal, habitual liar, conspiracy and fear peddler, and a two-bit con man. He’s not a masterful Svengali holding some unexplained, unnatural hypnotic sway over his supporters. He’s a showman, not a shaman, and his techniques are well understood by those who choose to look at the evidence. 

By the same token, the real problem of characterizing Trump supporters as mindless zombies who have taken leave of their senses is not that it’s disrespectful but instead that it’s counterproductive. It pushes very real decision-making factors that need to be understood in order to be addressed into a black box of the unknowable. 

Thinking about Trump’s appeal in binary moral absolutes is also oversimplistic and demonstrably false: People vote because of many factors, and issues that one person thinks self-evidently disqualifies Trump may not do so for someone else. The United States is incredibly diverse, and treating women and minorities as monolithic and homogenous groups is a flawed approach. If you assume that a) Trump is self-evidently racist and sexist; and also that b) no black woman would vote for a racist, then it’s you—not the female black Trump voter—who has badly misread the situation. 

I noted that Biden’s campaign isn’t baffled by Trump at all, but neither have Democrats quite solved the puzzle more broadly. As Fareed Zakaria noted recently in The Washington Post (“Once Again, Democrats Have Misunderstood Minorities”): 

Democrats are more disappointed because they had hoped that this would be an election that resoundingly repudiated Trump and realigned politics…He won the largest percentage of the Black vote since 1996 (though he still got only about 12 percent of the Black vote). One poll indicates he won 35 percent of the Muslim vote. What happened? There are probably many answers. Partly, Democratic strategist James Carville is still right—it’s the economy, stupid… But my own interpretation of these results is informed by feelings I have always had about the Democratic Party’s ideology of multiculturalism. It lumps a wide variety of ethnic, racial and religious groups into one “minority” monolith and approaches them from a perspective that does not fit us all. That means an ideology born out of the treatment of African Americans will ring false to American immigrants and their descendants. For us, harsh treatment by White Americans is not the single searing experience that shapes our politics. Some of us are socially liberal, others conservative … Even African Americans vary much more widely on policy than one might imagine.

If you don’t like Trump and want to diminish his influence (and that of his followers), the solution is not real or feigned confusion about his appeal but instead a closer examination of its psychological and social dynamics—and maybe changing your underlying assumptions and approach.

Few things in the world are truly incomprehensible or unexplained; ghosts, miracles, and Donald Trump are certainly not among them. Biden will need to take steps to unite a seemingly fractured nation. This will require understanding—not in the sense of fuzzy forgiveness and bonhomie but in the sense of applying motivational psychology—to find common ground and determine how best to bring people together. 

 

A longer version of this article appeared on the CFI website; you can find it here. 

 
 
Dec 032020
 

For a episode of Squaring the Strange we have a discussion on the legendary “Ghost Army” of WWII. These very alive flesh-and-blood soldiers were plucked from art schools and theater groups, and their very dangerous job was to hoax their way across Europe and put on elaborate ruses. Joining us is Col. Francis Park, Ph.D., a military historian who can bring us perspective on the tactical use of fraud versus force.

 

Check it out HERE!

 

 

Nov 282020
 

Big—If True is a collection of my Skeptical Inquirer magazine columns, guiding readers on a science-based (yet open-minded) examination of 70 fascinating and mysterious topics. Drawing on two decades of first-hand research, Big—If Trueexamines dozens of mysteries including Bigfoot, reincarnation, chupacabras, Icelandic elves, mummies, conspiracy theories, UFOs, miracles, the terrifying Goat-Man, crop circles, subliminal advertising, sea serpents, wandering trees, medical mysteries, and hypnotist thieves—plus a 1990 Elvis sighting.

It’s 275 pages and has 70 illustrations. It will be available soon for order at your local bookstore or online bookseller at a list price of $26.95 (plus tax and shipping of course). 

Nov 252020
 
 
As I did with previous books I’m offering the first 50 copies of my new book Big—If True for pre-sale. Big—If True is a collection of my Skeptical Inquirer magazine columns, guiding readers on a science-based (yet open-minded) examination of 70 fascinating and mysterious topics. Drawing on two decades of first-hand research, Big—If True examines dozens of mysteries including Bigfoot, reincarnation, chupacabras, Icelandic elves, mummies, conspiracy theories, UFOs, miracles, the terrifying Goat-Man, crop circles, subliminal advertising, sea serpents, wandering trees, medical mysteries, and hypnotist thieves—plus a 1990 Elvis sighting. It’s 275 pages and has 70 illustrations. It will be available soon for order at your local bookstore or online bookseller at a list price of $26.95 (plus tax and shipping of course).
 
I’m offering the first 50 copies hot off the presses, signed and numbered. Each is accompanied by a correspondingly signed and numbered 4 X 6 postcard featuring a satirical tabloid I designed that appears on the front cover of the book. It’s a silly little thing featuring photos of the first chupacabra model I bought, the first (real) shrunken head I examined, and me in the Amazon near the Ecuador/Colombia border. First orders get the lowest numbers, in case you’re into numerology…
The price is $28, including tax and U.S. shipping (foreign orders will be charged cheapest rate, contact me). Probably makes a great holiday gift, and if you’d like the book personally inscribed to you or a loved one—or even someone about whom you are deeply ambivalent—please note that with your order. Limit 2 per order please.
 
Gotta have it? I don’t blame you one bit! Here’s what to do: Send payment to my Paypal account (bradford@centerforinquiry.net). Allow 3 weeks for delivery because we’re in a pandemic. Also, thanks for supporting small-press authors!
Nov 222020
 
 
As I did with previous books I’m offering the first 50 copies of my new book Big—If True for pre-sale. Big—If True is a collection of my Skeptical Inquirer magazine columns, guiding readers on a science-based (yet open-minded) examination of 70 fascinating and mysterious topics. Drawing on two decades of first-hand research, Big—If True examines dozens of mysteries including Bigfoot, reincarnation, chupacabras, Icelandic elves, mummies, conspiracy theories, UFOs, miracles, the terrifying Goat-Man, crop circles, subliminal advertising, sea serpents, wandering trees, medical mysteries, and hypnotist thieves—plus a 1990 Elvis sighting. It’s 275 pages and has 70 illustrations. It will be available soon for order at your local bookstore or online bookseller at a list price of $26.95 (plus tax and shipping of course).
 
I’m offering the first 50 copies hot off the presses, signed and numbered. Each is accompanied by a correspondingly signed and numbered 4 X 6 postcard featuring a satirical tabloid I designed that appears on the front cover of the book. It’s a silly little thing featuring photos of the first chupacabra model I bought, the first (real) shrunken head I examined, and me in the Amazon near the Ecuador/Colombia border. First orders get the lowest numbers, in case you’re into numerology…
 
The price is $28, including tax and U.S. shipping (foreign orders will be charged cheapest rate, contact me). Probably makes a great holiday gift, and if you’d like the book personally inscribed to you or a loved one—or even someone about whom you are deeply ambivalent—please note that with your order. Limit 2 per order please.
 
Gotta have it? I don’t blame you one bit! Here’s what to do: Send payment to my Paypal account (bradford@centerforinquiry.net), or snail mail the equivalent in cash, check, money order, or mint-condition chupacabra pelts to: Ben Radford, P.O. Box 3016, Corrales NM 87048.
 
Allow 3 weeks for delivery because we’re in a pandemic. Also, thanks for supporting small-press authors!
Nov 152020
 

In 1986, the space shuttle Challenger exploded 73 seconds after takeoff from Florida’s coast, an accident that laid bare not only institutional flaws in the application of high technology but also flaws in the public’s understanding of science. Many myths have emerged in the years since the accident, such as that the shuttle exploded—it didn’t, it “was torn apart as it was flung free of the other rocket components and turned broadside into the Mach 2 airstream” (Oberg 2011). Other myths remain, such as that the accident was largely a failure of technology when in fact it was largely a human-caused tragedy.

A new documentary series on Netflix titled Challenger: The Final Flight examines what led up to the accident. Through extensive archival footage and interviews with the families of the crew and engineers involved with the flight, we see a troubled agency that put political pressure above safety.

A Presidential Commission was appointed to study the Challenger shuttle accident and its causes. At first glance the culprit was a mechanical problem: the failure of small O-rings to seal on a solid rocket booster, leading to a catastrophic chain reaction. Yet the real fault for the explosion went far beyond a simple gas leak. The Rogers Commission was very critical of NASA’s procedures, finding serious flaws in the decision-making process that led to the launch.

Engineers at Morton-Thiokol, the company that made the O-rings, warned that seals failed repeated tests under the cold conditions present the morning of the Challenger launch, an unusually cold morning. Engineer Roger Boisjoly, among others, predicted that the O-rings would fail if the shuttle launched in cold weather, and notified his supervisors of this. NASA managers ignored the red flags and went ahead anyway. As tests and engineers had predicted for years, the O-rings burst and the flight—along with its seven astronauts—was doomed.

Institutional Pressures

There are so many components to space technology that, on some level, failure is guaranteed—and expected, hence the presence of redundant and backup systems. The organizations making decisions concerning the Challenger launch (including NASA, Morton Thiokol, and others) had elaborate and specific procedures to assure that accurate data was used in crucial decisions. Instead of this process working correctly, important studies (such as those showing an inverse correlation between O-ring integrity and temperature) were not passed along to those who needed the information, and middle-level decisions were circumvented, primarily for expediency.

Brian Russell of Thiokol, in his testimony before the commission, stated that he did not “realize that there was a formal launch constraint” on the issue of O-ring “blow-by” problems. In other words, he didn’t know that the issue was critical enough to affect the decision to launch. In response, commissioner Robert Rummel replied that the reason that the issue of O-ring safety had been closed out (i.e., prematurely declared resolved) by Russell was “because you don’t want to be bothered. Somebody doesn’t want to be bothered with flight-by-flight reviews, but you’re going to work on it after it’s closed out” (Rogers Commission, 143).

In other cases engineers complained of bureaucracy that impeded their ability to resolve safety issues. The Rogers Commission report quoted one memo from Thiokol engineer S.R. Stein that “We are currently being hog-tied by paperwork every time we try to accomplish anything” (Rogers Commission, 253). In his book Truth, Lies, and O-Rings: Inside the Space Shuttle Challenger Disaster, Allan McDonald, director of the Space Shuttle Solid Rocket Motor Project at the time of the accident, notes that “In dozens of emotional talks given around the country following Challenger, Roger Boisjoly had been charging that officials played ‘fast and loose’ with the astronauts’ lives, ‘absolutely abdicating their professional responsibility’ in pressuring Thiokol to reverse its original recommendation not to launch. In Boisjoly’s view, stopping the launch of the shuttle was a ‘no-brainer,’ requiring ‘only common sense’” (p. 603).

Social Pressures

If the scientific side of the Challenger disaster was plagued with problems, the social side wasn’t much better. Physicist Richard Feynman was on the commission, and in his Appendix F to the Rogers Commission report he discussed exactly this issue, stating that he believed that the true likelihood of shuttle disaster was about 1 in 100: “Official [NASA] management… claims to believe the probability of failure is a thousand times less. One reason may be an attempt to assure the government of NASA perfection and success in order to ensure the supply of funds. The other may be that they sincerely believe it to be true, demonstrating an almost incredible lack of communication between themselves and their working engineers” (Feynman 1986).

The Challenger accident was fraught with demanding impatience; the liftoff had been delayed several times already, and Americans quickly grew tired of seeing the sleek shuttle sitting impotently on the launching pad. What was promised—and eventually delivered—was action. Society is relatively unconcerned with evaluating the goals of science. NASA administrators were under enormous pressure from both the public and the government to launch the shuttle. Ironically, had the shuttle been delayed yet again to a warmer morning the shuttle would likely have been fine, but the underlying problem still ignored.

The documentary focuses its first few episodes on Christa McAuliffe, the high school teacher who was the much-vaunted “Teacher in Space.” But she was only the highest-profile of the astronauts, overshadowing the others. Co-directors “Glen Zipper and Stephen Leckart conceived of it in 2015 while looking to make something personal. Both had seen the disaster as boys but could only remember the name of one astronaut aboard Challenger: McAuliffe. Who were the other six? The more they dug, the more they found extraordinary people: Ellison Onizuka was the first Asian American in space and Ronald McNair was the second African American. Judith Resnik was the second American woman in space and the first Jewish woman. ‘We wanted to humanize these astronauts and wanted you to know these characters and understand the human side of this whole story,’ co-director Daniel Junge said” in an Associated Press interview. Veterans Dick Scobee, Mike Smith, and Gregory Jarvis rounded out the crew.

The series includes intriguing information about how the Reagan administration pressured the investigative committee to avoid embarrassing NASA—an effort that could be fairly characterized as a coverup. It was only after information was leaked to the mainstream press by a brave engineer insider revealing that NASA had been warned about the problem that full pressure was brought to bear on the Rogers commission to get to the truth—public relations be damned. 

Institutional arrogance is revealed in the stated purpose of the space shuttle: “to provide routine, economical access to space.” NASA’s assumption that any endeavor as complex and perilous as manned space flight could ever be “routine” or “economical” reveals technological arrogance. Part of the reason that the event was so shocking to the American public is they were insulated from the risks and science. The expectation was that everything would work perfectly, as it always had before, during the previous 55 missions into space over 25 years. Like people who use their cell phones every day, they have no idea how the devices work, they just expect them to work. Yet, as Carl Sagan famously noted, “It is suicidal to create a society dependent on science and technology in which hardly anybody knows anything about science and technology.”

Society’s values play an important role in the perception of technology. We live in a society in which immediate gratification is expected, and convenience is prized. Society is impatient for change; we want and expect things to be done immediately and correctly; we don’t have time for the nuances, complexities, or caveats that are the hallmarks of science. This misunderstanding was fueled in part by NASA itself. The shuttle program was packaged and promoted by NASA and the government as a safe and patriotic venture into space. In fact NASA was so confident that they added McAuliffe on Challenger largely as a public relations tool. The other astronauts on mission 51-L had specific scientific duties; according to McAuliffe’s schedule, her role was to beam down two “lessons from space” to schools across America as an ambassador for the space program. One wonders how the mission could have been taken so lightly that they could have reserved a space for PR stunts.

Fueled by patriotism, a lucky streak, and NASA’s confidence, Americans were coaxed into complacency about the safety of manned space flight. Rockets and space shuttles are incredibly complex machines, with tens of thousands of important parts, all—as the grim joke goes—manufactured by the lowest bidder. Each launch takes years of preparation and hundreds of brilliant, dedicated professionals.

The shuttle program has now been retired, but the question can be asked whether it was worth the cost in dollars and human lives—or whether it should be revived. Without knowing what true risks are, it’s impossible to know. The documentary includes a defense by William Lucas, the director of NASA’s Marshall Space Center, on whose shoulders much of the blame has been laid. He insists to this day that he made the best decision he could, given the information available to him at the time from Thiokol.

NASA is not eager to admit it, but life-threatening crises and potential problems will always go hand in hand with manned space flight. Optimism should be tempered with realism about how inherently dangerous and complicated it is to put humans into space. We have not mastered space flight, and should not fool ourselves into thinking otherwise. As Feynman concluded in his report, “For a successful technology, reality must take precedence over public relations, for nature cannot be fooled.”

References

Feynman, R. (1986). Appendix F: Personal observations on reliability of shuttle. World Spaceflight News and National Aeronautics and Space Administration. Report on the space shuttle Challenger accident. Washington, D.C.: Office of Government Publications.

McDonald, Allan, and James Hansen. (2012). Truth, Lies, and O-Rings: Inside the Space Shuttle Challenger Disaster. University Press of Florida.

Oberg, J. (2011). 7 myths about the Challenger shuttle disaster. NBC News. Available at http://www.msnbc.msn.com/id/11031097/ns/technology_and_science-space/t/myths-about-challenger-shuttle-disaster/#.UFYTD44gyPA.

Rogers Commission, Presidential Commission on the Space Shuttle Challenger Accident. (1986). World Spaceflight News and National Aeronautics and Space Administration. Report on the space shuttle Challenger accident. Washington, D.C.: Office of Government Publications.

 

 

A longer version of this piece appeared on my CFI website column; you can find it here. 

Nov 102020
 

New episode of Squaring the Strange! Pascual takes the helm and steers us into some weird audio territory… We use a few pop music lawsuits as a jumping-off point to examine what originality even IS when it comes to creativity and how to put music together. Is a “flavor” of music protected as intellectual property? What do modern composers borrow from much older operas or Gregorian chants? What about alien music? “Tune” in to find out! 

 

Nov 032020
 

Watch Professor LeAnne Flaherty interview Jim Underdown, Kenny Biddle, and I for her Brooklyn College parapsychology class… We talk about ghost investigations, psychic detectives, critical thinking, testing claims, and much more…

You can see it HERE! 

 

 

Oct 272020
 

I’m giving a talk soon: Contacting the Dead: Seances from the Victorian Era to Modern Times.

 

Though TV shows like Ghost Hunters have raised the profile of ghost hunting, there’s nothing new about seeking out spirits of the dead. For millennia people have tried to communicate with the deceased, using everything from chalkboards to Ouija boards to EVP (electronic voice phenomena). Focusing on the 1800s through today—including early mediums, the Spiritualist movement, and files from England’s Society for Psychical Research—writer and investigator Ben Radford discusses the theories and techniques behind attempts to speak to the dead. Fans of science fiction, fantasy, horror, and history will enjoy this informative and entertaining historical look at a century and a half of attempts to contact the afterlife.

Wednesday, October 28th, 2020 at 6:00 p.m. MT

You can register HERE! 

 

 

Oct 212020
 

According to a Newsweek article: “Two YouTubers in Belgium have been fined for dressing up as scary clowns and carrying a fake AK-47 assault rifle while trying to film a prank video back in January 2020. Following their arrest, the 24-year-old men from the Flemish municipality of Waregem were not remorseful and said that scaring some people would be worth the video. They said in a statement: ‘Frightening a few people is not so bad if you can please a multitude of people.”

For more on these scary clowns and clown panics, see my award-winning book Bad Clowns:

 

 

 

 

 

Oct 212020
 

The KiMo Theater in Albuquerque is one of New Mexico’s best-known ghost stories, and has been the subject of many articles, blogs, and TV shows. After a tragic accident in the 1950s claimed the life of a young boy, it is said that his spirit returned to the theater and caused one of the most famous poltergeist occurrences in history. To this day, a shrine is left for the boy ghost, and offerings are made by performers there to assure a safe and good performance. It’s a scary, fascinating story—but did it really happen? Join folklorist and investigator Benjamin Radford as he separates fact from fiction and uncovers the true story of the KiMo Theater ghost. This presentation is based on a chapter in his 2014 book Mysterious New Mexico: Miracles, Magic, and Monsters in the Land of Enchantment.

Oct 22 6:00 PM MT

You can register here! 

 

Oct 182020
 

I’m a guest on the new The Next Truth show, talking about skeptical and scientific approaches to ghost investigation.

You can listen to it HERE! 

 

You can find more on me and my work with a search for “Benjamin Radford” (not “Ben Radford”) on Vimeo, and please check out my podcast Squaring the Strange!