2012 Disaster Film Contains Pro-Science Themes

by | Oct 6, 2015 | Archives, Benjamin Radford, Films, Media Literacy, Science | 0 comments

From the Radford Files archives:

 

2012 Disaster Film Contains Pro-Science Themes

 

The recent big-budget Hollywood blockbuster disaster film 2012, directed by Roland Emmerich, depicts a global catastrophe and flood. John Cusack stars as a divorced Los Angeles writer who wants to reunite with his family, and ends up going (almost literally) to the ends of the earth to save them. At the same time in Washington D.C., a geologist discovers that the earth’s unsettled tectonic plates will cause havoc. Soon the whole world is enveloped in chaos and destruction.

 

Though 2012 is not a great film, it does have some interesting pro-science aspects that skeptics should appreciate. While John Cusack is the lead star, the hero of the film is really a black scientist, Adrian Helmsley (Chiwetel Ejiofor). Helmsley is the president’s chief science advisor, and it is he who first discovers the impending danger. The film somewhat realistically portrays the difficulties of scientific uncertainty—how sure do you have to be to sound the alarm? This is not an academic question, and arises in discussions of scientific prediction on a wide range of topics ranging from asteroid impacts to global warming.

 

Not only is the scientist the hero, he is also the film’s major moral compass. There are no evil, white lab-coated scientists in 2012, there are only scientists doing their best to save humanity (and a few nerds thrown in for good measure). 2012 is a completely humanistic disaster film; the catastrophes are not the work of angry gods, nor magic spells, but nature itself. The film shows prayer failing miserably to stop the destruction (even the Pope in the Vatican gets smacked away; Emmerich told me he originally wanted to show Mecca being destroyed, but didn’t want to risk offending Muslims). In the end it is science that saves the day. These are wonderful pro-science depictions that I’d hope to see in more films; it’s a shame to see them buried in a well-meaning but bloated disaster film like 2012.

 

 

 

 

This piece originally appeared in the Briefs Briefs column in the September 2009 Skeptical Briefs newsletter.

 

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